Andres Ramos

I didn't know he is open minded for spirituality. Very interesting. Tahnk you!

Interesting concept. What is the proposed speed for the data transfer?

Ok. Think of an app running in your browser. You have one slider selecting the duration of the E-tones. A second slider sets the head start for each E-tone. In your example this would be 20% of the duration. With the slider you could vary this offset from 0 to 100%. The D-note duration is automatically aligned with the overall duration of the E-tone sequence. The whole pattern should repeat automatically I assume? Is this what you want?

Basically this could be done in p5.js javascript. Is the duration for every tone constant? Is there a minimum overlapping range for the E notes, e.g. does it never happens that one note starts after the previous one has finished? What about the D note. Is it running in parallel to the E notes? Since the overlapping is randomly the sequence of the 5 E's has no fixed length, right?

Scientists communicate with people while they're dreaming

I started a new series with experiments with LDR's (Light dependent resistors. These are semiconductor components that are changing their impedance if exposed to light. I had the vague feeling they might produce usable noise for ITC under certain conditions. My investigations are not finished yet and currently I am unsure if this is yet-another-noise-source (YANS) or if there is more in it. Results are ambigous so far. In my current setup I use a yellow LED with a low current of 0,5mA that projects it's light onto an LDR. Both are sealed in a black plastic tube to protect the LDR against ambient light. The voltage across the LDR is pre-amplified and recorded. It is pink noise so far. I combined the noise output with Michael Lees ML application. From a sequence of roughly 4 Minutes I could distill 45 audio samples which are pretty goos. Most of them in german but also some in english. Andrés: Andrés.mp3 This audio was nice. I got a "hangup" in the ML algorithm that cause a series of phonem repititions. Directly after that incident I got this message. "Es hakt" -> "It hangs":Es hakt.mp3 "Massen Krieg" -> "Masses war": Massen Krieg.mp3 "She's a christ": Shes a Christ.mp3 "Sie war der Anschiss" -> "She was the scold": Sie war der Anschiss.mp3 "Streber" -> "Nerd":Streber.mp3 "Our answers are keen": Our answers are keen.mp3 "Er verwandelt sich" -> "He changes": Er verwandelt sich.mp3 When my experiments are finished I will put a detailed documentation into the experiment section. Moreover I am planning to write a study paper about using an LDR for ITC provided the results are encouraging.

Hi Laurence, your description of your life with autism really was touching. From what you told you managed to turn your autism into a very effective path of spiritual evolvement. In that way you seem to be nearer to spiritual self esteem as most of us are actually. I also was impressed by the way you are handling the distorted view of the people around you on your autism. Lot's of things you told us are resonating with me a lot. Even I am not an Autist I often feel the need of separating myself from this world and it's inhabitants. While your reservate is the silence of your self chosen solitude, mine generally is sleeping to get off this physical plane. Thus I completely acknowledge your behavior. I also appreciate your honesty and being frankly about it. In case you do so it's my task to extract from it what needs to be fixed inside me and leave the rest behind. So you're welcome completely here Laurence !

This is amazing and a very suitable supplementary for the transcripts of Alice Greene I read yesterday!

Ah ok. The xparanormal detector sensed a spirit but it shouldn't because there was no wifi and somehow the image of your son was picked from a file with 700 other images and loaded into the plasma communicator That would mean a direct impact on your PC by spirits. Did you face similar events earlier?

Thanks Karyn for this posting! I'm just reading the transcript and it makes me feel so good. I love to read those few papers describing the hereafter in lots of details. It's amazing!

I have mo experience with this software. What is the paranormal detector sensing? You received the words "love" and "mom" obviously which is amazing. Where does the image come from? I mean what is the usual way for this application to receive images.

Do you use a macro lens?

Really amazing! As always.

1. Abstract In our group we are collaborating in the research of the principles of the manifestation of ghost imprints in audio, image and video signals. We conducted an abundance of experiments with very similar outcomes. More or less the voices and images seem to pour out everywhere while the used technique does not seem to play the major role always. The main question for me from a more mundane point of view still is where in the chain of noise generation, signal conveying, transformation and reception is the place and the moment where the spirits break through to manipulate the signal leaving their imprints in it? Is this a localized phenomenon, is it bound to time? To anticipate the result of this experiment, I did not find the answer but I maybe can shed some light on a possible explanation. This work is based on my results with mylar foil crumpling. I found out that this process gives excellent results in form of a signal that consists mainly of impulses. For some reason the amplitude and density of the impulses are resembling the rhythm of human speech. The Audacity function "Paulstretch" is very effective in converting the spiky sound into intelligible speech. Still I don't know why. This needs to be the focus of a separate investigation. Based on my results the conclusion could be drawn to synthesize those spiky signals with some abstractions and to investigate the results for spirit imprints. I was pretty sure that this would work but things turned out to be very different. Some more experiments followed the first one and in the end I am trying to draw an conclusion in the form of two hypothesis. 2. Analysis and synthesis of base impulses. Mylar foil crumpling is realized by taking a piece of mylar and softly pressing it with your own fingers, bending and crumpling it slowly. Mylar has a stiffness that is in accordance to it's thickness and material properties. From an abstract point of view the foil is constituted of an 2-dimensional array of small surfaces with spring characteristic and nonlinear behavior. Because of their stiffness these subareas don't follow the deformation of the foil immediately, instead they are storing the deformation work as mechanical tension. At some point the an area is overloaded with mechanical power and suddenly "pop's out", releasing it's stored energy in the shape of an oscillation. I found out that this oscillation is merely centered around 4KHz. In Audacity I cut it out as a single event. Image 1: A single mylar impulse You can see it is a damped oscillation as you would it expect from my previous explanations. This is the first important finding that impulses, spirits are favorably working with, are in fact quick and strongly damped oscillations. The idea was obvious to take those impulses and to construct a synthesized "mylar" signal from it. My original goal was to find a way to generate this signal electronically to facilitate the mylar foil technique. So I copied this sample and inserted it randomly in an empty Audacity track multiple times. I did this by hand because at this time I had no means to do this automatically based on a random function. I took care that the impulses were unevenly spread across the track since this is typical for human speech. Image 2: Synthesized Signal I exported the synthesized signal as a wave file on a SD card that I inserted in a MP3-loudspeaker box that could play the audio clip in a loop endlessly. Image 3: Test setup with synthesized signal The MP3-box was positioned in a distance of 30cm to my ITC microphone. The resulting signal was recorded in Audacity. My expectation was that the impulses would be influenced by the spirits. After the test run I aligned the synthesized signal with the recording to see the differences. Image 4: Source and result signal aligned The first surprise was that the resulting signal looked very homogeneously. After magnifying one of the spikes I could see that the resulting signal just showed an additional small oscillation, likely produced by the loudspeaker of the box itself. Image 5: Magnified signals This result was far from spectacular and showed just normal physical system responses. My impression was acknowledged after applying Paulstretch to the result. There was not a single trace of a spirit voice in it! Resulting signal:Test run-1.wav Resulting signal after Paulstretch:1872400553_Testrun-Mylar-Paulstretched-1.wav I repeated the experiments under the same conditions and gained the same result once again, no voices. Well not absolutely since I got one very weak voice but it was totally out of sync with the impulses and I frequently get microphone voices during my experiments. I see it as a spiritual contamination. Spirit voice in test run 2:Test run-2 voice.wav I did the test a third time and again there were no spirit voices, absolutely none! It was not just that my expectations were not met, moreover it was a real contradiction to my previous results where I got voices in varying quality and strength but at least always! 3. Repeating the mylar experiment The experiment results confused me and thus I decided to repeat the standard mylar experiment with a piece of plastic foil. Image 6: Repeating the mylar experiment Fortunately the mylar was still working. After paulstretching I could isolate lot's of voices. "Andrés, liebe deinen Vater" (Andrés, love your dad): Andres liebe deinen Vater.wav "Ich glaub wir müssen ächzen" (I think we have to groan): Ich glaub wir m├╝ssen ├ñchzen.wav 4. From mylar to synthesized signals The next idea I had was to use the mylar signal and to make it more like the synthesized one. The main difference is that after the impulses additional signals appeared that grew when huge spikes or densities of spikes injected more energy into the signal and decayed if the spikes became lower or lesser. These additional modulations are a home of the spirit voices normally i assumed. I thought if I could strip them away then I would get a suitable distribution of impulses but without the spirit modulation I could use to repeat the experiment described in chapter 2. So I wrote a Nyquist script that could set all values below a selectable threshold level to zero, thus in theory only the spikes would remain. Essentially this was a gating process. Image 7: Gated signals The first track shows the original mylar signal. Track no. 2 shows the paulstretched content of mylar signal where I extracted the voices from. Track 3 is the gated signal. You can see that the low level modulation is almost gone. Track 4 shows the content of Track 3 paulstretched. Most amazingly even after removing the spirit modulation parts from the mylar signal, the paulstretched version of the gated signal still contained strong voices. The modulation was even better as with the original paulstretched mylar signal! Then i decided to remove even more spirit modulation from the signal since it was thinkable that the different amplitudes of the impulse train of the gated signal still contained spirit imprints. Thus I wrote a variant of the Nyquist script that did not only removed the low level modulation but moreover was setting all impulse amplitudes to the same level. This way no more amplitude information was present. Image 8: Gated and clipped signal The first track shows the original mylar signal. Track no. 2 is the gated and clipped signal with no more amplitude modulation. Track3 is Track 2 paulstreched. By aligning the paulstretched signals from the gated and the gated and clipped signals I could see very easily substantial equivalence. Image 9: Comparing gated and gated/clipped paulstretched signals The upper track shows the gated and paulstretched mylar signal. The second track the gated/clipped and paulstretched signal. You can see the characteristic of both signals is identically. We can see a slight deterioration the modulation of the clipped signals compared to the signal that was only gated. Please note that not further signal processing like filtering or denoising was done here. Mylar-1 (gated and paulstretched):Mylar-1.wav Mylar-2 (gated/clipped and paulstretched):Mylar-2.wav Obviously you can do a lot of harm to a signal with spirit imprints and their footprint still is visible. The lower level parts of the signal don't play a major role for the spirit content and neither does the amplitude of the impulses. The core element seems to be the distribution of impulses and their varying density. I decided to go my way back to the synthesized signal with the new knowledge I gained. If the secret of success is lying in the impulse metrics than it should be possible to mimic the mylar signal by placing artificial impulses according to the same scheme. So I got back again to my original synthesized impulse signal. I took the gated and clipped mylar signal as a blueprint and placed the oscillation impulses according to the density of the mylar signal. Image 10: Magnified compare of composed and mylar signal The upper track shows the composed signal and the lower one the gated and clipped mylar signal. My rule of thumb was to place as much artificial oscillation impulses after one another that they required roughly the same space as the impulses in the mylar signal. Image 11: Compare of mylar and composed signal Upper track is the composed signal. The lower track shows the gated and clipped mylar signal. Now I exported the freshly generated composed signal as an MP3 file and stored it on the SD card I then inserted into the MP3-box. Then I repeated the original experiment described in chapter 3. I recorded the sound from the MP3-box in Audacity and analyzed it. The result again was not according to my expectations. After paulstretching the signal I could clearly see and hear a speech rhythm but since in the original mylar signal (gated and clipped) a clear voice modulation was perceivable the sound of the paulstretched artificial track was just modulated noise without intelligible speech. Original mylar signal(gated an clipped):Mylar-2.wav Artificial signal (paulstreteched):Synthesized Paulstretched.wav Artificial signal without paulstretch:Synthesized Recorded.wav Also comparing with the unprocessed recorded signal shows clearly a rhythm but no voice elements. Now see the signals in graphical representation. Image 12: Graphical representation of mylar and artificial signal It's obvious that the characteristic of both signals is identically. Nevertheless the artificial signals does not contain speech. 5. Conclusions As I said the results I gained were not testifying my own expectations and confused me a lot. Despite this fact I dared to draw some conclusions from the experimental results. 5.1 The core of spirit modulation in impulse signals What the results are showing us very clearly is that in a signal that got "processed" by spirits, the root of their impact is not coded in the low level, more "analog" looking parts of the signal. After cutting them out the modulation stays strong. The assumption that the voices are hiding in the amplitude fluctuations of the impulses itself also proved as wrong. After clipping the impulses all to the same level the voices are still strong. Thus the very core or the root of the spirit impact is coded in the density pattern, in the distribution of impulses across the signal. 5.2 The role of entropy The second finding is even more disturbing. It means that replicating the density pattern of a mylar signal that proved to be excellent for spirit modulation gave me not the same results as the original mylar signal. The resulting signal is mimicking the same envelope as the spirit influenced signal but without voice modulation. It's just amplitude modulated noise, a form without content. This raises the question, why? Why can't spirits grab the same suitable density pattern and put their imprints into it if the signal was composed artificially? My hypothesis is as follows. There is a clear distinction between creation and repetition of a signal. What the spirits can do is influencing anything that is uncertain or let's say new born. A signal that is born out of a physical process that is based on entropy has zero predictability. This is where the spirits hook in. They can tackle something that comes freshly into the world and they grab it in the very moment of it's creation. A composed signal on the other hand has no entropy. Since it was already generated, composed or recorded the predictability of the signal is 100% and the entropy is zero! Seems that there is no way for the spirits to change something that is already "there" and just repeated. Repetition brings nothing new into the world, there is no additional information created. This hypothesis also gives an answer to the question where in the chain of signal creation, distribution, transmission and reception the spirit impact takes place, it is right in the moment of creation and not while the signal is traveling through the air as an audio wave from the loudspeaker to the microphone. I also would hypothesize that MAYBE the spirits have a chance to do their thing at every point in the creation-transmission-reception chain where the signal undergoes a physical change that alters it's information content like filtering, adding echo, conversion from analog to digital and vice versa. This hypothesis would also explain why spirit messages once recorded don't change afterwards. The content is not undergoing any information change. A last question remains to be answered that is not clear to me. Since science states a very good definition of entropy and information in an objective sense we as ITC researchers know that we can't separate the phenomenon from the experimenter. Thus the objective explanation of entropy in the sense of mainstream science may be questionable in our realm. The question is what really means predictability of a signal in ITC setups? Is predictability the objective description of a situation where no one in this universe, no man, no computer could by all means foresee the next upcoming value of an entropy signal? Or does it mean that the just the experimenter does not know? Is it something that is taking place when the experimenter is giving the process of creation out of his hands and rejects to control it? Would a random number generator that spits out deterministic noise with no entropy still produce ITC phenomena because the process of creation is out of control from the viewpoint of the experimenter? What really means predictability and entropy for our experiments? This is up to be discovered. Andres liebe deinen Vater.wav Ich glaub wir m├╝ssen ├ñchzen.wav Test run-1.wav Test run-2 voice.wav Test run-2.wav 1240831028_Testrun-3-Paulstretched.wav 1523320170_Testrun-3.wav 2088334816_Testrun-Mylar-Paulstretched.wav 1872400553_Testrun-Mylar-Paulstretched-1.wav 1639034973_Testrun-Mylar.wav Random Impulses-synth.mp3 Synthesized Paulstretched.wav Synthesized Recorded.wav

"Normalizing the paranormal§ matches out intentions very well.

Yes, the link to Google patent side shows exactly what I meant. Now I understand why the Caduceus coil still is in inductor because the direction of the windings stays the same.

Thank you Jeff, this was enlightening. Now I remember the Caduceus coil, I just forgot about it's name. However I remember to have seen it in an article related to zero point energy and not ITC but I am not sure about that. Seems that both designs, Caduceus and Smith coil are using the same principle of opposing inductance that reduces or even completely cancels out the net inductance. Have you ever seen those double winded coils? Sadly i don' have a picture but I saw them in an article about zero point energy too. Imagine you are winding a coil around a wooden stick of some length. Then you pull out the stick and you have a flabby air coil like a soft spring. Now you are winding this "coil" around another core of some material and you get something like a helix in a helix. Basically the electrons in this coil are forced along a double winded path while the inductance clearly is not zero. One day I want to try out the characteristics of this coil.

Hi Chris. Principally they are. The crystal lattice of atoms is working as a defraction grating itself. However the density if the grid is bound to the wavelength of the light. Because in a crystal the lattice is much "smaller" or "narrower" than in the defractor foil I showed in my video you would need "light" with a shorter wavelength to create the same defraction pattern with crystals. Therefore x-rays are used since they have much shorter wavelength. In fact x-ray diffraction patterns were used to analyze the crystalline structure of organic molecules like the DNA. Another issue with crystals is that you only get good defraction patterns if the crystal has grown homogeneously. All naturally grown crystals are inhomogeneous because the crystallization process was suffering from various disturbances that are causing variations in density, enclosing of artifacts or different chemical components.

Welcome Domitilla! You should talk to Keith as he is doing essentially the same as you with Spectrocom.

Very interesting! Have you ever tried to replicate the experiments with the Caduceus coil? I never have heard about it before.

Welcome Sean. You are very welcome here. Seems you are really an EVP professional already well known in the academic world which is very valuable for us all!

Feuer kommt, das ist offiziell. Die Untergruppen hörst du noch heute. Und dich überzeugen. Und mit Zentrum, möcht es unsere Staffel. Und mit Zeit vorgelegt, mich zerbrecht. Wir hören nun allesamt. Schlechte töten nicht schlechte. Denkt bitte im kalten... Schlafen, verbrennen. Wann soll ich essen fassen? Tönende Helme. Hoff ihn, wir sind schon da. Hat er gewagt. Für die Maus 54 Ören. Und dann ham wir noch Piloten. Du brauchst ein anderes Umfeld. Malte ist krank. Wir sterben en gros. Hat Serum bewilligt. Ich sehe den Grund. Sulle, kommt er auf den Damm? Kommt uns zu helfen. Gute Nacht Erwin. Acht kommen runter. Hier kommt, die Zaue verglüht. Wir wollten Krieg. Fällt und jung und frei. Grundsupp kann dich hören. - Fire is coming, that's official. You'll hear the subgroups today. And convince yourself. And with central, it would like our squadron. And with time submitted, me breaks. We hear now all. Bad kill not bad. Please think in cold... Sleep, burn. When shall I eat? Sounding helmets. Hope him, we are already there. He dared. 54 öre for the chick. And then we have pilots. You need a different environment. Malte is sick. We're dying en masse. Has approved serum. I can see why. Sulle, is he coming to? Come to help us. Good night Erwin. Eight are coming down. Here comes the Zaue burning up. We wanted war. He dies and young and free. Grundsupp can hear you.

Ehre befehlt euch. Traue der Dame nicht. Du kannst nicht verbrennen. Hat Pierre Cardin. Hobbit hier. Eure Leben sind voraus. Angst hatte dir Sorgen gemacht. Da sollst du den Test unterschlagen. Mörder sind bei uns. Und statt der Irren oder so. - Honor commands you. Do not trust the lady. You can not burn. Has Pierre Cardin. Hobbit here. Your lives are ahead. Fear had you worried. That's where you're supposed to embezzle the test. Murderers are with us. And instead of lunatics or something.

Erklärungen sind gefallen im Osten. Beachte, die morgen töten. Angst und Irrsinn verbrüdern sich. Soll unsere erkämpfen. Er droht mit der Wüste. Wen erwartest du drüben? Und er braucht von...die Öfen. Margot, es gibt ein Land hier oben. Die Not wird schlachten. Sie will auch deine Mutter. Und dann will er sie retten. Daniel sucht Peter. Hast du nie Träume? Sie machen Krach. Wir alle blieben dort. Euch schickt der Teufel. Hilft uns Corona jeden Tag. Die Bösen bezwingen. Ich wäre Abdul. Auch meine Jugend ist zuende. Ich werde...noch wach werden. Macht den andern noch wütender. Wir streben ab. Hatte viele Male Recht. Vierundneunzig da sind. Warum läufst du hier rum. Komm ich zu Bakhdi. Sie wollen alle die Bombe. Oxydon. - Explanations have fallen in the East. Note that tomorrow kills. Fear and madness fraternize. Shall fight ours. He threatens with the desert. Who do you expect over there? And he needs from...the ovens. Margot, there's a country up here. Necessity will slaughter. She wants your mother too. And then he wants to save her. Daniel is looking for Peter. Don't you ever dream? They make noise. We all stayed there. You are sent by the devil. Help us Corona every day. Defeat the bad guys. I would be Abdul. My youth is over too. I will... still awake. Make the other even angrier. We are striving. Was right many times. Ninety-four there are. Why are you walking around? I come to Bakhdi. They all want the bomb. Oxydon.

Und werde gesund. Die Gefährten sind da. Was tun wir nun damit? Wir probierten es gestern, und das wirkte. Was tun wir danach? Es tut mir leid. Machst klug mit oben. Er lernt von uns, Bring aus der Ferne.. Muss er nochmal besorgen. Du machst leider Fehler mit unserer... Und er bemerkt das. Eurer Spirit er wachse. Und aus allen Gründen. Erst er erreicht den Fluß. Du machst sonnenklar. Und wir lassen eure hier. Es klappt mit der Bemerkung. Haben wir noch. Wir schauen noch nach einer Sicherung. - We tried it yesterday and it worked. What do we do after that? I'm sorry. You make smart with going upstairs. He learns from us, I bring from afar... He'll have to get it again. You unfortunately make mistakes with our... And he notices that. Your spirit it grows. And for all reasons. Only he reaches the river. You make clear as day. And we leave yours here. It works with the remark. We still have. We'll look for a backup.