Andres Ramos

This white mist was not around you originally?

I cannot thank you enough for posting these ITC gems, Karyn! They are a blessing to me. In a way that I don't understand but feel very intensily I am deeply entangled with these descriptions of other worlds and the biography of other multidimensional beings. Even more I feel a deep connection with Swejen as she participated on some of my ITC experiments as spirits told me. My biggest desire is to work together with Swejen one day after I made it over to the hereafter. May I dare to ask you if these informations are available in a bokk? Basically these information came to Mark Macy in german, wasn't it?

One clip I obtained from a quick session today. I do not understand clearly what the voice says but the characteristic is so impressive. It has a deep reverbing sound even I did not apply any post processing or reverb myself. It sounds like it comes directly from heaven. Voice.mp3 A possible interpretation could be "Alles war schön!" -> "Everything was beautiful!" I must admit I feel so grateful and pleased that the content of the messages I get become more and more friendly and loveful

This article left me perplex. It's not just very touching, moreover it's stunning that Maggie and Swejen had a kind of phone call talking about the right procedures to help the child recreate. An amazing example about the perfect entanglement between our world and the hereafter. What I didn't know either was that the deceased carry their wounds with them into the hereafter and that these wounds must be treated.

I guess today I made an ITC session with the InClip that brought results I could value as a breakthrough. Nevertheless I won't claim this because we never know if we gain success from a technological leap or just from special conditions we don't know. And maybe the breakthrough is not the technology but rather the development of our own self. I made a simple experiment as I did it before, following my strictly phenomenological view on ITC by just finding out what works and what not without wasting my time on hypthesizing fancy models for the ITC process that very likely will just be wrong. I placed the InClip near the window in my office room at home. The window was tilted and thus open to about 10%. I recorded the backgrund noise from the street comprising cars passing by, very low voice fragments (not intelligible), slamming car doors, braking motorcycles, steps on the sidewalk a.s.o. The cutout indows was set to approximately "1" on the scale. That means it was triggering to already low volumes and gave a nice chopping effect. I post processed the recording as I always do by adding reverb and denoising by spectral substraction. I did this over the whole recording in one piece. The result is worth listening to. For me this is not just a sequence of some spirit voice breakthroughs, it's more like a portal has opened and a continous stream of voices (although mostly not intelligible) comes in. There is almost nothing mundane anymore in this signal. Complete recording (post processed) Test 2022-07-23b.mp3 Here are some of the most interesting exports from this recording. "I love you" : I love you.mp3 "Abyss" : Abyss.mp3 "Open Fire" : Open fire.mp3 The most amazing utterance was thos excerpt. It is a german speaking voice, very clear, with an austrian accent saying "Diese Klarheit - bin jetzt auch ein bisschen verwundert!" -> "This clarity - I am a bit amazed" Diese Klarheit - bin deshalb ein bisschen verwundert.mp3 One important thing I observed is that the spirit voice manifestation seems to go over multiple steps. The foundation, so to speak, is made during the recording and depends on the device. However the post processing methods are adding other steps of pk modulation coming up and it seems to me (still not clear) as if these further steps may completely overwrite the first one. Also the used ITC method seems to have an impact on additional pk imprints during post processing. However this is more a vague feeling actually. Nevertheless I see the InClip not as a device anymore giving me one or the othe good results. It seems to boost the already very good spirit voices from microphones even more by some reason. It provides (at least sometimes) long sequences of almost pure hereafter voice streams. From that point of view the InClip is rather a portal instead of just an ITC device. Finally I have to say that the background noise from the street in front of my appartment gives excellent results for some reason I don't know. Maybe it's because the sound is "realtime" but I will continue to experiment with other backgrounds also.

Welcome Kenda Elise! Seems you grew up in the natural environment of paranormal phenomena. It's amazing that there are still families out there who indeed foster a spiritual culture where the hereafter is as natural as the neighbours backyard. Feel free to ask any questions about what you find here and let us participate on your experiences as well. Andrés

0. Abstract I made an experiment I have planned since long. My goal was to identify and document a spirit voice manifestation right in the moment where it takes place. This should be done by providing an audio source the spirits should use for the voice manifestation and comparing the result after the manifestation against the original unchanged signal. To conduct this experiment I would need to split a signal source in two ways where on the first path I could guarantee the signal not to be influenced and a second path where the spirit voice manifestation takes place. Thus direct comparing of the changed against the unaffected signal would be possible. My hope was to find out more about the details of the impact the spirits have upon the signal we give them. 1. Setup of the experiment Fig.1: Schematic of the test setup The setup was based on the experience I gained from all my previous experiment. These are as follows: A loud and clear speaking voice that contains no ambiguities is likely to never be changed by spirit voice manifestation. Low sounds mixed with noise or various ambient sounds are very likely to be affected by spirit voice manifestation. For a direct comparison of affected and unaffected signals I utilized these described hypotheses and decided to separate the affected and unaffected signal on both channels of a stereo recording. This way I could hear both signals simultaneously like an overlay where the brain immediatly would detect the differenced between the right and left ear. In order to facilitate this setup I made myself a small channel splitter allowing me to use two different microphones, one for each channel. I used a standard electrect condenser mircophone for recording my voice loudly on the right channel and the InClip ITC microphone for recording my low voice mixed with ambient sounds from the street before my house. The InClip gives good results in terms of spirit voice manifestations. 2. The experiment The test took place 2022-09-07 in the evening. First I did two test recordings to adjust the microphone levels properly and to find the right position for the InClip microphone so that the environmental noise was at optimum for the experiment. Due to my previous tests the voice of the experimenter should be near the border of becoming unintelligible in order to optimize the spirit voice manifestation. Because the audio source should be well defined I considered using a known text I would present that has a meaning and would be easy to get. For personal reasons I made my choice for the t PSALM 23 because this text somehow resonates with me. During the experiment I spoke the words slowly and as clearly as I could to ensure that the microphone directly before my mouth would not catch any voice manifestations. Before the test I cleaned the environment spiritually by striking a singing bowl three times. The whole recording took a little more than one minute. I observed no unnormal incidents during the test. 3. Presentation of results In the figure below you can see the whole recording as a NCH WavePad project. Fig.2: The complete recording I played back the recording with my Sennheiser HD 600 headsets on multiple time and identified 6 incidents that could be a spirit caused anomaly. After my first analysis I threw away two of them because they were to vague. I marked all the timestamps in the recording to safely identify those incidents and made screenshots from the signals as well as audio exports. for the audio exports I used Audacity because for some reason WavePad does not provide a function to split a stereo signal into two independent mono signals. So lets go through the anomalies step by step. 3.1 Analysis of PK-Incident-0 This anomaly took place at timestamp 08:00s in the recording. It is very clearly an anomaly because there is a noise on the left channel that has no respective representation on the right one. Obviously something just impacted the InClip microphone and not the mouth microphone. PK-Incident-0: PK-Incident-0.mp3 The sound has no special characteristic and appears like a blow or puff into the microphone. However it is not unusual for spirits to mimick natural ambient noise characteristics. Fig.3: PK-Incident-0 signal characteristic You can see what I just described very clearly in the picture above. The left channel is displayed in the track above. The lower track shows the signal from the mouth microphone. During the incident the level from the mouth microphone is zero. 3.2 Analysis of PK-Incident-1 This incident is located at timestamp 16.597s. It is in the middle of the verse "And he leads me beside still waters". The words "still waters" are clearly affected. PK-Incident-1: PK-Incident-1.mp3 I extracted just the spirit voice in a separate file. PK-Incident-1 (just spirit voice) PK-Incident-1_spirit.mp3 I could not copy what the voice says but the change is obviously and also the voice sounds different from my own. Fig.4: PK-Incident-1 signal characteristic The signals above are worth to discuss. In the first half we can see that my moderate voice signal from the lower track is converted into impulses you can see in the upper track. The up and down of the amplitude of my voice is more or less steady and so are the impulses above. This changes by the end of the recording. Despite the original signal (lower track) goes on the same way in the upper track we can see additional bursts of impulses as if something had been added to the signal that not originated from my voice. Because the original signal shows no increase in its envelope function we can hypothesize that in the upper track we can see the impact of additional energy and not just a reconfiguration of the energy structure coming from the lower track. 3.2 Analysis of PK-Incident-3 At timestamp 21.847s there is a third incident which is the most impressive of all. Again it happened in the middle of a verse while I was saying "He leads me in paths of righteousness". The part "He leads.." was turned into something that sounds like "Alex" (A name) or maybe "Alle" (All). PK-Incident-3: PK-Incident-2.mp3 PK-Incident-3 (just spirit voice): PK-Incident-2_spirit.mp3 My original voice is also sufficiently strong to be heard in the spirit track. Fig.6: PK-Incident-3 signal The signal curvature is very interesting again to discuss. The pk-incident took place already at the beginning and the my words "And he" were turned into "A-lex" or "Al-le". The amount of syllables (2) stays the same and also the envelope function across the upper and lower track are very similar. So in this case it seems that the energy distribution of the signal stays intact but the content was changed against something that sounds similar but has a different meaning! I observed this very often in my sessions but never could see it directly. Similar to PK-Incident-1 it seems there are additional impulses in the signal changing the spectral composition. 3.3 Analysis of PK-Incident-4 At timestamp 01:09 the last incident is located. In a way it is mirroring the first incident that also took place when the source signalwas zero. PK-Incident-4: PK-Incident-5.mp3 Again it is a very distorted voice signal like a blow into the microphone. Fig.7: PK-Incident-4 signal The picture clearly shows a signal at the InClip microphone while the level on the mouth microphone was zero. 4. Conclusions I think this experiment mainly is a "proof of the principle" that this setup provides a direct comparison of unaffected and affected audio signals. Since in the past I gained more and better results with microphones I definitely should do more repititions of this experiment to collect more and better data. Nevertheless the PK-Incidents-1/2 were very good results to justify a deeper investigation. I already mentioned that the voice manifestation showed a tonal characteristic that was different from my voice. Thus a logical thought was to compare the spectra of both signals of PK-Incident-2. Fig.8: PK-Incident-2 spectrum plot of spirit voice manifestation Fig.9: PK-Incident-2 spectrum plot of source signal First we can identify that in the source signal there is an area between 2000 Hz and 7000 Hz where the signal in the source signal contains a structure that is not visible in the voice manfestation. This could be due to the limiting frequency response of the InClip microphone that seems to have a low-pass characteristic. Very interesting are the dominating 400 hz and 800 Hz peaks in the spirit voice signal. These are cleary frequencies that are basic frequencies of human speech and often occur in formants. In the time domain comparison of both signals we also can see that the spirit voice signal contains more amplitude changes in the respective timeframe as the pure source signal does. So lets summarize these findings. A spirit voice manifestation occurring in a source signal is characterized by New signal components in the time domain New signal components in the frequency domain Changed voice characteristic Persistent speech rhythm These results make me think that the spirit voice manifestation is a projection of energy, not just remodeling the energy structure of an existing source signal. On the other hand we can clearly observe that the metric of the speechs stays unaffected what would suggest that the signal is reconfigured - not renewed. Currently I am hypothesizing something in between those both thoughts. I think spirit voice are an energy projection but it takes far more energy for the spirits to place their manifestation into a mould that already comes near to what they want to say instead of overriding the signal completely. I have two other thoughts that are supporting this suggestion. 1. If everything is just about reconfiguring the energy distribution in a signal then I see no reason why strong and clear voice sources shouldn't be affected as well as the low and weak ones are. But this was not observed. 2. We also have voice manifestations in white noise but those are very weak. This is because white noise has no "speech structure", no rhythm and metric the spirits could utilize for their information transfer. As I already pointed out there is clearly the need for more investigation based on this experimental setup. PK-Incident-4.mp3 PK-Incident-4_spiriit.mp3 PK-Incident-5.mp3 PK-Incident-3.mp3 PK-Incident-3_spirit.mp3

Hi Andrea, your plan sounds amazing! I had very good results with electric condenser microphones, so I can recommend them and I use them everywhere in my designs where microphones are involved. Keith Clark has much experience with Krisp which is not easy to tame in my eyes. So if you have questions regarding Krisp you should contact Keith. Moreover I can confirm that Krisp adds more EVP's generally. The idea of a parabolic reflector is new and I would like to hear your results. I never used this actually because due to my experience the volume and quality of the background noise plays a role in ITC but not where it comes from. However you may get different results. So go on, we are curious about your results! Andrés

The experiments with InClip are now in an own thread in the Community projects forum. I hope some more people will like to participate. https://www.varanormal.com/forums/topic/2034-experiments-with-the-inclip-microphone/

Today around noon I mad a quick session with the InClip microphone. I adjusted the threshold of the microphone so that it was contionously triggering the output on and off. This is the raw recording: InClip 2022-07-08b.mp3 Then I overall-post processed the signal with the "Teenager" voice effect, 250 Hz high pass and 15% auto spectral substraction in NCH Wavepad. The result is quite intriguing. There are more or less permanent spirit utterances in varying quality. Post processed recording: InClip 2022-07-08b_processed.mp3 One thing I tried was to provide an acoustical background by myself. I formed random phonems with my mouth like I was speaking Klingon on some other artificial language. My voice volume was low and mixed with the background noise from the street before my house. At one point I said "God is great and his spirit is everywhere" in german and indeed this can be heard even the voice effect makes me sound like a kid. But 2 seconds later a voice appeared saying "Nichts was er nicht geschaffen hat" -> "Nothing he didn't created" and I definitely haven't said this. Mr Game ist gescheitert.mp3 Here some of the clips I extracted together with my interpretation. Clip-1: "Das Fenster ist gestört" - >"The window is blocked" Das Fenster ist gestört.mp3 Clip-2: "Jetzt Erka verbieten Kontakt" -> "Now the Erka are denying contact" Jetzt Erka verbieten Kontakt .mp3 Clip-3: "Ich wart" -> "I am waiting" Ich wart.mp3 Clip-4: "Swejen hört mit" -> "Swejen is listening" Swejen hört mit.mp3 Clip-5: "Wo ist denn meine Gitta?" -> "Where is Gitta?" Wo ist denn meine Gitta.mp3 Clip-6: "Vor neun es gelingt" -> "Before 09:00 it will be a success" Vor neun es gelingt.mp3 Clip-7: "Let's get out...stop thinking" Lets get out.mp3 Clip-8: "Als Veränderung kommen die Planeten" -> "The planets will cause a change" Als Veränderung kommen die Planeten.mp3 My impression is that the InClip generates often distorted signals, which is logical if you follow the working principle. On the other hand the pk modulation is excellent and the voices are very strong. New ideas The audio with the voice saying "Nothing he didn't created" gave me two ideas. First we all should try to provide an acoustical background in our sessions by shaping random phonems with our mouth. We much too often try to exclude ourselves from the ITC reception process. We should instead deliberately bring us in! In the end it is about the spirit in us and not about machines or apparatus. The manifestation of voices seems to fostered by low noise and low rubbish talking voices. I want to make a new setup where I can pick up my random phonemes directly in a clear recording at my mouth and then across some distance with the InClip microphone. One signal should be recorded on the keft and the other on the right track of a stereo signal. If a voice manifestation takes plave we directly could analyze it.

The InClip microphone is one of my latest designs and is described here. In this thread I want to post my experimental results which are very promising in my eyes. If anyone wants to participate on this research please contact me. The "InClip" isn't hard to replicate. I can make more of the easily.

Will do anyway but thanks for the encouragement

This is also a very touching experience, Cabrerizo. Very simply it shows us some interesting things I can confirm by my own experiences. One thing is that putting more and more grim effort into reaching a goal often gives you a backlash. You told very nicely that the help cam in the moment xou gave up. I experienced this also very often. If you are trapped inan uncomfortable situation you just need to turn away and let it go. In this moment help comes around. I think its our ego behind our will to solve the problem that inhibits the help. The sudden appearance of the two missing screws could be related to removing a filter on your perception. I experienced very often when I am looking for something that I have a wrong image in my mind that my perception removes what I am looking for from my very eyes even if it directls in front of me. However we also can't exclude an apparition, that is the manifestation of the missing screws. In fact everything around us is made of thought and that is the mechanism behind apparitions.

Very interesting and amazing experiences, Cabrerizo! Personally, I don't think these objects were foo-fighters. From what I remember foo-fighters were bigger than a billiard ball and identified as some kind of flying machine made from alien technology. What you described is more near to the incidents that have taken place and still do at the Skinwalker Ranch in Utah. There are lots of sightings of light balls there in different colors chasing animals and people. I think these are a kind of drones or maybe entities from other dimensions themselves. They usually appear in regions where are portals. A portal is not far away from what the "Stargate" series told us. It is an area where different dimenions of reality overlap and where the border between them is rather fragile. At Skinwalker Ranch there were sightings of light holes opening some meters above ground level anbd creatures creeping through them into our world. In the book "Seth speaks" from Mary Roberts, the higher entity Seth tells us something about this phenomenon. He said that there are regions where dimension are colliding, so to speak and he clearly mentioned Utah and many other places. I remember that Spain was also among them. Can you specify more clearly the locations of your encounters?

Introduction Fig 1: The InClip microphone in work In this article I will describe the working principle, technical details and experimental results of a new type of ITC microphone that I call "InClip", a contraction of the term "Inversed Clipper". Two years ago I did experiments with a circuit that came out of an idea I had by analyzing EVP signals in the time domain. I observed that with some training I could see where in a signal a possible EVP manifestation hides just by watching the fluctuations of the amplitude extremes in a sound editor. It seemed to me that the very tiny pk-modulation hides in those variations of the amplitude peak values. Because these variations are very tiny compared to the total strength of the signal the resulting modulation is very poor. My idea was to simply cut out the middle area of an audio signal in a way that just the peak values around a specified limit would survive. Initially I described the concept here. In that earlier experiment I described and used a hardware circuit doing this job and I applied it to the noise generated by a germanium diode with some success. Now I thought about the question why I never have tried to apply this concept to other sound sources. So I decided to built a microphone that incorporates this circuit to check out the results of different sound sources being processed this way. The circuit explained The electronic schematic is shown here and described now in detail. Fig.1: Electronic schematic of InClip circuit The frontend contains a simple electret condenser microphone with a preamplifier. I gained very good results with electret condenser microphones and for this reason I am sticking to them in my designs. The LED D2 is used as an "switched on" indicator and to generate a stabilized 2V voltage source for the condenser microphone that generally requires a low voltage supply. As you can see I used standard operational amplifiers and if you are familiar with my designs you will see many stages you know from my other devices. TL072a is used to provide a virtual ground for the operational amplifiers. Something you always have to do if you use an unsymmetrical power supply. It has no functional meaning for the working principle. TL072b is a preamplifier for the microphone signal that boosts the microphone output by 46dB (factor 150) at maximum. The switch S2 provides the use of an auxiliary input instead of the microphone in cae you want to process a recorded signal for example. The preamplified signal is fed into a stage with two comparators (LM339). These circuits are comparing the current signal level against a value the user can adjust with P1. This level is symmetrically to the signal ground, which means that the positive and negative amplitude peaks are handled the same way. If the signal level stays below that limit the circuit is muting the signal and there is no output. If the level exceeds the given limit by positive or negative peak values, the comparator logic actuates an electronic switch (OP1) that gates the signal through a final amplifier stage to the output socket. The working principle One could think that this circuit works like a simple noise gate circuit but this is not the case. A noise gate opens up a conduit for the whole signal swing as long as the averaged signal level stays above a specified threshold. My circuit instead, more or less works like an inverted clipper circuit. A clipper cuts away the parts of the signal that are above a threshold, keeping the parts below the threshold untouched. My clipper works exactly the other way around. It clips away everything that is below a certain level the user can select. The result is a signal composed just of the extreme values of the amplitude. Fig.2: A signal recorded with InClip As you can see in Fig.2 the resulting signal looks normal but a bit "ruffled". The modulation of the signal is very strong. This is because InClip cuts away the signal area that not adds up substantially to the overall modulation. Fig.3: Closeup on InClip signal In Fig.3 we have a closer look on the signal and you can see that it is composed of amplitude peaks which are the extreme levels of the signal swing. Please see that the clipping works symmetrically, i.e. that positive and negative peaks are arranged nicely around the ground level. Operating the InClip microphone Operating the circuit is rather easy. There is one potentiometer P1 to adjust the threshold and a yellow LED that lights up if the signal is going above the threshold. If the threshold is turned down to minimum the signal goes through the circuit almost unaffected. I say ‘almost’ because still the circuit mutes a very small area around the ground level of the signal. Another interesting effect is that the fast switching causes a very subtle chopping effect that seems to improve the pk-modulation. The result is a signal with a very dedicated kind of distortion and a hollow sounding reverb. Basically this kind of signal is what you see in Fig.2+3. If you turn up the threshold at the potentiometer the resulting signal may change depending on the sound source. Signals that have spikes riding on their amplitude peak levels or signals that are looking "spiky" themselves already, are showing a characteristic you can see in the next pictures. Fig.4: Spiky signal with threshold turned up Fig.5: Trains of impulses Results of the experiments I tested the circuit in different conditions. First I used the sound of a self oscillating relay as a source. The result was a very spiky signal like shown in Fig.4. The results were nice but not amazing. I post processed the signals basically by the following functions in NCH Wavepad Applying reverb with the shown parameterization Applying 20% auto spectral substraction Effect filter (Teenager/Kid) occasionally Fig.5: Parameters for reverb effect Examples of recorded clips Clip-1: Voice-1.mp3 Clip-2: Voice-2.mp3 The voices in both clips are not very intelligible and dull. Then I realized that the circuit was not working the way I expected. It generated large spikes always and I quickly found out the the fast rise time of the switching comparators caused glitches that propagated through the voltage supply rail and contaminated the signal output. I fixed this issue by adding two capacitors at the right place (currently not shown in schematic) and continued my experiments. In my test runs it became obvious that the sound material the microphone picked up plays a crucial role regarding the voice quality and pk modulation, which is no surprise at all. With the background sound of a self oscillating relay I gained some good results from the rather spiky signal. Clip-1. My interpretation is "Wir lernen jetzt größer"->"We are learning bigger things" Kanal ist wertlos.mp3 Clip-2 My interpretation is "Du bedankst dich" -> "You said thank you". Actually I really showed my gratitude for the help of my spirits a minute before the recording. Du bedankst dich.mp3 Clip-3 My interpretation is "Arne". This is a name I heard frequently in my session. Ahnung.mp3 Clip-4 My interpretation is "Ich bin Arne " Excellent.mp3 At the same day I did a last recording session before closing my work in the evening around 06:00 pm local time on Saturday 2022-02-07. I had the threshold turned down so that the circuit would let pass all signal components together with the overlayed switching process I already described. The acoustical background was the sound from the street in front of our appartment with cars passing by and a mix of voices. To my utter amazement I could record a sequence of 30s length with continously speaking voices. To be more specific it was one monoton speaking rather female voice and some sprinkled fragments of other voices. I value them all as spirit voices because of their tonal character and more important the content of their speech. Sequence_denoised.mp3 Here is my transscript from the voices I heared in that clip 1. Timestamp 02:00s - 04:00s "Oma sucht den Heibel" -> "Grandma is loking for Heibel" 2. Timestamp 09:00s - 11:00s "One more oven" 3. Timestamp 11:09s - 13:50s "Ganz leichte Entscheidung" -> "A very easy decision" 4. Timestamp 15:00s - 15:50s "Welle" -> "Wave" 5. Timestamp 15:50s - 18:00s "Ist Malu verlogen" -> "Malu is so mendacious" 6. Timestamp 21:80s - 23:50s "Bei meinen Gruppen fällt er auf" -> "In my groups he stands out" 7. Timestamp 25:50s - 26:00s "Wir sind bereit" -> "We are ready" From the content of those messages we can see a clear association with spirits. It is very often they are talking about waves and groups or are expressing feelings. Also the utterance "We are ready" is very common. Conclusions From all results I gained, the last one showed is truly the most impressive for me. I was used to get single words or short sentences in a quality that I could understand rather easy or continous speech in a poor quality. This time I could record a 30s clip in a quality I previously just knew from short ITC messages. However I cannot say if this result is repeatable nor if it is really related to the new circuit I tested. Very often I had to face that a sudden success was followed by a fast decline. It is necessary to continue the experiments with different sound sources and most important trying to replicate the results represented by the last clip. If my results will continue to be successfull I will post them in a blog probably. Andres.mp3

Wow, this is a very good article Fernando. It made me think a lot. What I find so appeasing about the Bayesian knowledge system is that it is always open for new insights. This raises the question why science is so much focused on gaining bullet proof safety in the adoption of knowledge. In my eyes this attitude mainly is used to draw red lines. Everything that is before the red line is officially accepted knowledge and basically not questionable anymore. People questioning this truth are merely ignores. Knowledge behind the red line is more vague knowledge. it is seen as valuable to continue researches in these areas. It is questionable in my eyes if this process is fruitful in the quest of finding truth or rather on the fringe of a belief system itself. The second thing that I feel very comfortable about the Bayesian system is that evaluating pieces of truth by the probability of being really true is more near to practical life instead of absolute acceptance or rejection of knowledge. In daily life we are constantly confronted with problems and decision where we don't know exactly how things will turn out at the end. Dealing with probabilities is a very common behavior we e.g. apply unconsciously if we do risk assessments. A very interesting outcome of this consideration is that the original question "What is truth?" is replaced by the more practical one, "If this would be true, what would that mean for me?". We would absorb the previously rather objective question with our personality. Maybe then we would decide to follow a spiritual path just y considering that, if it's true we would gain so much and if not we would loose only a little.

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