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Keith J. Clark

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  1. Keith J. Clark

    Thoughts Are Dimensions

    By Keith J. Clark,


    Channeling
    What if every thought we have is in another dimension. And each time we think a thought we create multiple copies. Multiple universes. Infinite universes.

    Every time we think the SAME thought we are creating many copies of that universe. And once there are enough copies in enough universes they begin to resonate off each other. They start to layer, one upon another. Like the reflections in a singer's microphone feeding back into the speaker. The most dominant thoughts win. The most repeatedly occurring thoughts begin to refine themselves into a wave. The beauty of the whole becomes glory in its singular form. It is not singular, but there are enough echoes of it for it to think to itself that it is singular.
    Technical Note: White noise is a representation of all, of the whole. When viewed as a whole it is meaningless. However, if you use a filter to only listen to a narrow band of sound, you will hear a tone. Was the tone already there? Does it have more energy than it did before? No. It represents itself as a singular tone.
    Just like microphone feedback - it is not singular in its first reiteration, or its second, or third....
    A composite over time is what creates physical reality, more or less the atoms come together when their master calls. When the dominance of one particular thought, or feeling, or imagination of a large group of people resonates - some of it will appear in its purest composite form. And much of it will be distorted.
    And these thoughts.....they begin to become physical to us now.
     
  2. Keith J. Clark
    Over time I have noticed when I begin to be "taken over" by an unknown force of creativity. First it was one song, then another, then another, and on it went for years. And years.
    Now it's 16 or so more years later and I figured I would share some of these 50+ "songs". Not sure why, as these posts are certain to evoke more criticism than anything else. Yet, I challenge the status quo. If I am afraid of showing myself as I am behind closed doors, then why worry about even attempting to be on camera for anything else? How many other people have been channeling songs for many decades, but never really "thought" about what it actually was. Maybe they were daydreaming. Maybe they were channeling. Does it really matter? Beauty comes from within. Share it with abandon and watch it grow. If there's one thing people respect, its courage.
    Naturally, I need to credit creative forces. In this "song" that was one of a kind (I never record the same song the same way twice) there are 3 main influences.
    The first energy is the one that took me over and caused me to hit the record button. That's the first tune we hear less than one minute into the "song". 3 expressions later, this version was recorded. I've noticed the first recording is always the most magical, the second recording the most practical, and the 3rd recording a sort of agreement, or amalgation of takes 1 and 2. The first is inspired, the second is corrected and controlled thought, the 3rd is a compromise.
    The second influence was the "ba-dum ba-duh-dum. Ba-dum ba-dum-bu. Bad dah ba-bum dum-bm... dah ba dah-bum ds bah-dum, bum da ba dum boo da bum... (70's song)
    The 3rd was Luttrell. If you've never heard of him, here's a song: (thats what inspired the 3rd part of this song)
    That's it. All I've got to say. No fear of expression, only fear of growing. Of Knowing.
    "Channeling Singing VIDEO" : https://www.facebook.com/573806085/videos/10157548667431086/
    K.J.C.
     
  3. Keith J. Clark
    Hello everyone. In this short paper I'd like to outline the basis of experiments I refer to as "Synthetic."
    By synthetic I'm indicating that energy can be conformed in such a way as to produce conditions which allow configurations of technical devices.  Currently these devices are created with the intent of communicating with other planes of existence. There will be practical applications also.
    In 2016 while mixing sound using advanced and complex techniques, I began to hear full sentences, but comprehension was very low. The audio prior to this had been from a radio.
    Upon this discovery I launched the first stream named "Clipper". Part of this experiment was dependent upon oversaturation, ie. clipping, of audio, which resulted in some overtones, harmonics. White noise generation was part of the experiment input.
    From there I began to work with EVPMaker in live mode.
    I discovered that when using live mode, combined with a balanced input of tones, and in EVPMaker the range of segments conducive to voice standards ranged at about 140-600ms.
    Crossfade function in EVPMaker is critical. Later on I would be informed by Michael Lee that this was a "dovetail" function if overlapping segments. 
    For a year or two I played with these devices, moving on to one named "Michael". In this experiment I began to try to figure out why such an experiment might work, or at least why I was hearing the voices. I inserted tones which I balanced by ear and visually.
    Its important to note that working with audio but never viewing it visually through the use of a spectrograph or visual aid...would be unwise.  There is so much to be gained. 
    Tip: use Digipan or Sonic Visualiser to see the sound you're working with.
    From 2016 to 2019 I began to transcribe these voices, when the experiments and I were tuned appropriately. Because the messages I received were so abnormal I sent these to 3 leaders in the community.
    Some may find it interesting to note that I began to listen to a stream every night as I go to sleep, 30min or one hour max. Usually I fall asleep before the stream shuts off.
    In the beginning I started by trying to clean up voices. Live was my goal, back then we used a piece of software named DC-8, used for forensics.
    Over time my techniques evolved, trying different VST plugins. BiasSoundsoap and a suite of Izotope RX plugins were the key pieces.
    Around 2018 someone listened to one of the live streams and claimed that they also heard voices, but not the same voices as me. That's when I began to realize and confirm that at some level, our psychic faculties complement our ears. This is experienced by all ITC experimenters, I belleve.
    Streaming of radio, as well as synthetic forms (generated inside the computer) became synonymous for me. Most people didn't understand or have interest and I was more interested in development and didn't seek validation.
    In 2019 Michael Lee and I began to communicate regularly. By 2020 we had at least 8 cohesive team members, some of whom are are very technical. 
    The onslaught of devices and software code created during this period was prolific. Fast and furiously we all began to experience the benefits of moral support. As well as an enhanced energy field generated as a result of these collaborations.
    They would build then I would "burn" the experiments in and focus on them. Most often there would always be results. Often, as interest in one experiment or another would wane, so would the results.
    In 2020 I found an audio program to manipulate audio named AudioMulch.  It's free to use for a month.
    There are plugins called contraptions where one can modify audio. This provided a breakthrough of sorts. Over time this became one of the streams - stream 6 Spiricom. (Still available to listen to here live on this site).(UPDATE: 9-21-21 method has been superseded by current and better implementations)
    On July 31 2021 I sat down with intent and asked spirit to guide my hands. This resulted in a major breakthrough which continues today.
    In an attempt to reverse engineer functions in AudioMulch independent of that program I found new discoveries and ways to generate a fundamental voice tone. Its important to note that all of this work is done with intuition, guidance, and people "in spirit". I'm unable to claim all credit for the progress. And the team feedback at Varanormal has been most essential.
    Now I can record phrases and sentences and share them here. Some hear them, some don't. But we are slowly approaching the point to where real-time audio, at least one way communication, is experienced through the devices.
    One of the reasons I chose to go in this direction was to silence skeptics by removing radio completely from the equation. All synthetic experiments begin in the computer and are shaped there. This allowed for creative applications.
    We don't yet know at this time what effect psychic perception plays in the creation of voices, or shall we say the modification of synthesized voices by unknown forces.
    At this time I'll share the basic principles:
    A. Spirit voices are dependent upon the energy available. If you create it, they can use it. 
    B. Human voice can be reverse engineered to create and refine voicelike ssounds which has surprising effects
    C. Meditation, or focusing on the experiment has an effect on the live stream output. Sometimes you can hear the change in modulation as you alter your own brainwaves.
    D. The closer to voice the source is shaped to, the less distance or expenditure of energy is required by purported spirit communicators to modify into their own words. This is a technique I hope to see implemented by ghostbox makers - a method free of broadcast voice...yet still using the basic principles - which is randomized energy consisting of frequency components used in voice. I suggest: figure out how to remove the human voice and apply these techniques in a synthetic environment. Radio is not required.
    E. The psychic factor is very important though we are not yet aware how to measure this scientifically. Currently measure of success is via formation of words and intelligibility thereof.
    F. This is an active approach. Creating the voicelike result with no information and then working it backwards, including a way to amplify it and then reshape it for voice by simulating effects of the human vocal tract.
    Passive would be listening to ambient sound and observing/recording. This is how traditional EVP began.
    Here are the basis steps, presented in ambiguous terms. The reasons why I explain it this way is to encourage others to play with the concepts. There are also future moral and financial considerations which also weigh heavily upon me at times.
    A. Provide something that is randomized in some way (spirit can manipulate through YOUR energy field)
    B. Find a technique to amplify the sound, or more importantly, improve the detection of spirit manipulation. Here's a tip: look into combfilters.
    C. If needed, provide shaping afterwards which mimics what you hear in a human voice. Be sure to visualize this in software!!! As you are working 
    That's it. And oh. The most important ingredient:
    Setting your intent of why you do your work. Be patient. This current work is the product of almost 17 years of work. Much of the hard work has been done, more needs to be done, and the work will never end. Accept this, amd great advancements will come.
     
    BEST PRACTICES FOR ALL ITC WORK:
    Educate yourself on spiritual matters, but be careful not to latch onto any one idea or belief system.
    Only seek validation from other people as long as you need it but to grow one has to listen to their instincts, your intuition, your guide. Above ALL others. If you're a scientist, this is going to be very hard for you. But it doesn't have to be. The only way to find new discoveries is to branch out from the norm.
    Work in teams whenever possible, even if it's just 2 people. 
    You will often feel alienated. Accept it. You need to be strong enough, there's a slow trust that builds between you and those who work with you from "other planes" of existence. From time to time check with other people to see what their experience of your work is. You may find that you're clairaudient and didn't even know it. Expect to be rejected many times. But remove the need for validation as much as possible and replace it with appreciation and persistence. It will pay off.
    Save your work!!! If you have presets, save them. Write them down when you have a moment of intuition. 
    Accept that most of the people you may hear ARE MOST LIKELY NOT the people you expected or wanted. Over time you'll learn their names.  Family commonly is involved, as well as many others.
    When you hear a phrase, Dont edit the clip right before the phrase and after. Leave a little bit of room on both sides so people can hear it in context. Many clips are clipped too short. If we want to demonstrate that full sentences are being created, providing longer clips in context is appropriate and ideal.
    BEST PRACTICES FOR SYNTHETIC VOICES:
    LIsten with open ears and mind. Relax. Listen while doing menial tasks if you can. Or meditate, daily, in patience. 
    Work actively, not passively. If you have control over experiment variables, change them. BUT the moment you hear something legible, consider stopping. Everyone has done this - had a great setting and then overwritten it. Trust yourself, wait until the next day before changing variables. This is the only way to tell -is the experiment changing...or is your perception changing???
    Stream the audio live so you can listen on the go. At the beach, walking the dog. Probably not while you're giving a speech 🙂
    Ask me how to do it. (live stream audio) 
    Realize that your mind is designed to comprehend voice. So one of the first signs of your own development spiritually is when you begin to hear repeated phrases or words. However, most of these are misinterpreted. Your brain seeks out the word that it thinks the sound could be most like. And your mind affects this also. What are you thinking about at the time?
    Over time this will grow. One word becomes 2, then somedays you'll realize you just heard a phrase...that will be a glorious day for you. But the work has just begun. 
    In the beginning when you hear these phrases you'll be super frustrated, because as soon as you recognize the word(s) you'll forget it. This is because your mind and ears translated it, but the sound didn't stop so the buffer got full. This appears to be memory retention and tuning of psychic faculties.
    If you are not of sound mental health, it is advised to NOT play with synthetic streams. They are hard on the mind and currently take a toll on your perception as well as physically if you spend large amounts of time. Spirit doesn't need more unexpected arrivals of suicides and other drastic consequences of your actions, and neither do you! Go slowly.
    ***listen, recognize, and then - the most important item of all -- THROW IT AWAY. Let it go. First of all you may not be sure you heard it right. And if you are sure, the probability that you're wrong is high.
    Just like in meditation, the goal is to not overfocus. Doing so means you then latch onto it and may begin to develop your own perception. Are you cultivating your own perception in a way that most people can't relate to? Always re-evaluate.
    Only in throwing it away will you make true progress. Letting go of the desire to record constantly is crucial to your development. 5 years from you will ask yourself: which will validate me more - other people validating my messages or validating my own connection with spirit through testing and repetition.
    I repeat: THROW IT AWAY. Focus on your development...live, in real-time. 
    Example: if you think you hear a name, recognize it. Throw it away. If you hear it again, throw it away. Over time you will become confident.
    Here's why: we are unable to take our minds out of the equation so far. Until the voices are clearer, this is highly experimental.  The more you listen and develop the more you'll realize that just as much as you are right, you are also wrong. As in interpreting words. It takes time. You'll realize you're wrong often. This does require some recording and playback. 
    If you're completely sure that you heard every word of a long sentence clearly....then you likely heard wrong. The question is are you are open to admitting it? At least as of today (9-22-21) Im not aware of many methods clearly demonstrating full sentences in the community..
    Or if you are getting full sentences feel free to reach out; however the only thing I can provide is encouragement. Send me one clip, and don't expect continued validation from myself or anyone else. We're here to encourage, not validate your experience. 
    When you start to hear what you think is spirit admonishing you, or saying something negative, stop. Refocus your mind and accept that it is more likely you created this phrase. Worry and concern are ALWAYS magnified. That's what an amplifier does, and that's what YOU are, an amplifier. And that's what your equipment is - an amplifier. Ask yourself- what are you amplifying?
    Listen 95+ percent of the time, record 5% or less. Compare your recording with what you thought you heard. Listen the next day. Is it the same? 
    Synthetic voices break all the rules as they are known. In time this method will be proven. More Information forthcoming. 
    For now, as a show of good faith, and in accordance with a lot of encouragement from spirit through both intuition as well as recordings of this technique, we will now stream (at least for the present time) Spiricom audio) live on our YouTube live stream along with the faces in sound and Perlin noise.
    It is currently a Spiricom reverse engineered model run through Krisp A.I. (artificial intelligence) (Superseded as of 9-22-21)
    There is no radio, there is no voice injected, inserted, or recorded.
    As a final note, here is a short excerpt heard while writing this blog on a cell phone:
    "...(indecipherable)...ensure/make sure...that the origins/energies of things that you want to happen...is not physical."
     
    LIVE YOUTUBE CHANNEL: https://www.youtube.com/c/Varanormal
    Keith
    8-24-21 Instrument...to happen. Its not physical.mp3
  4. Keith J. Clark
    At first I didn't quite fit in to my choir class in the eleventh grade. Reading notes was hard, I had already learned to tune to music by ear. After all, I had grown up thinking that was how music was played - by ear. At first I sang bass.
    Try as I could, I had a hard time projecting low notes. They just didn't seem to fit my vocal range. Yet I couldn't seem to reach the high notes sang by the tenors. Oh how I longed to sing as high as the tenors! Most rock singers sing very high, and I would later come to find that there is a reason for this - their voices pierce the sound range above the rest of the instruments which allows them to be heard. And I wanted to be heard. 
    One of the days I looked forward to most as a young teenager was the day our high school choir would sing for a Christmas evening in front of a crowd.. More than anything, I desired to be approved of by my parents, to be cherished for something special I could contribute. Maybe they would see something good and express their appreciation for me...maybe they would see....me for who I really am!
    My performance did not have the outcome I had expected. There were no balls of glitter floating from the ceiling, no cherubims blowing trumpets from all corners of the concert hall. The love I yearned for in that very special way would not come from my parents, yet I found great satisfaction in performing.
     
    This experience left an indelible impression upon me. i was never the same after that event..This was...pure joy. This was...happiness.
    From that day forward I sang from my heart - with a different perspective. I had a new angle. there was no reason to sing just to be loved.  When I sang..., I sang for joy.
    The song below was "channeled" during the evening this blog was written. Like most songs that come through, it was almost wordless- except for one phrase..."Over Los Angeles"
    It reminds me of "Battle of Los Angeles" in 1942. https://en.m.wikipedia.org/wiki/Battle_of_Los_Angeles
    Do you have similar experiences? 
    Comment below!
    22821_sing_channeled_overdub_Over_Los_An.wav
  5. Keith J. Clark
    There are two passions in my life. ..music and work with "spirit" (paranormal). Music was first. By the age of 5 you could hear me singing to records on a Fisher Price record player. They were mostly Christian records, Christian gospel...and some were  recordings like the Disney movies Bambi and The Fox and The Hound. 
    As children my sister and I sang in church, once we even  performed a duet on stage. It was a joy to sing at the top of my lungs. It was one of the few things I enjoyed about church, living here at the southernmost tip of the Bible Belt in Florida.
    My childhood was difficult for me, a strange mix of love and confusion. As an adopted child my sister and I were the second set of children that our parents chose to bring into their lives. We were well-provided for physically, we never lacked for necessities. On the mental and psychological side though - there were challenges. Our parents never knew what to make of us.
    Much of our childhood was spent grounded, punished for one thing or another. We spent more time punished than not. Punishment entailed sitting on the floor in our bedrooms- doing nothing. Nothing was the only thing allowed - that was the punishment. The word "STRICT" would be an understatement. As a result I spent much of those younger years alone.
    The first time I received several cassette tapes and a Walkman for Christmas I thought my mother had lost it. What had possessed her to perform such a radical non-conservative act? Had she felt a moment of weakness, a moment of kindness? Was it an last minute purchase or was it a miscalculation? Rock music was a part of the "secular" music genre as we Christians called it at the time. Holding those cassettes in my hand I wondered what had happened to make me feel lucky. 
    What does a child do while sitting on a floor in a room by themselves day after day during punishment? Well..my sister and I....We both dreamed. We dreamed of everything we could be, everything we thought we didn't have. Everything we wanted.
    There were other ways to pass the time. Count the popcorn nuggets on the ceiling. Trace the patterns in the carpet with your finger and mind and memorize them. Talk to yourself. And cry. There was a lot of crying in those days.
    Over the years I would sneak a book from the bookshelf and methodically shift all the books so that their missing place would not be noticed on the family bookshelf. I read encyclopedias sets several times. We owned the Encyclopedia Brittanica and Funk & Wagnalls. Tom Sawyer, Treasure Island, and even an entire Western collection by Zane Grey were other notable favorites that I stole one at a time and absorbed like a sponge, devouring every page. It was much more exciting when it wasn't allowed.
    And...there were songs. I would take the cassette backing from cassette tape cases and hide them away under my bed. When nobody was around I would read those lyrics, and sing the song to myself, over and over again. This was comforting to me - music. In those moments, while reliving the song in my mind, I was happy.
    It wasn't until 11th grade that I was first introduced to the concept of musical notes. All this time I had thought people simply memorized a song because they had good memory cognition. Who would have thought that music followed a pre-defined structure?
    Mr Reeves, my choir teacher, was responsible for this great eye-opener. He taught me how to sing, how to make harmony, how to blend. Out of all of my classes - choir was my favorite. I had fallen in love...with music. It was, and will always will be my first love.  With music I had felt free of the chains of life and sadness.
    This would become my first introduction to the effects of a symphony upon the tired weary soul.  It was the first time that I realized...music must be from heaven!
    The song below "came through" during the writing of this first blog post. Its one of many songs that seem to pour through me when in an altered state. Like most, it has few words. The structure appears first, and sometimes even words.  I share it here as an act of baring my soul...and to see how many of you just might feel the same way about some of the feelings expressed here. 
    Share with us what music means to you. Are you inspired in similar ways? What do YOU make of this tired and sometimes dreary world? How would you describe your experience?
    Comment below.  Let it all hang out!
     
    022821_Song_Channeled_We_Will_Grow.wav
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