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Keith J. Clark

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Everything posted by Keith J. Clark

  1. Olá Samuel, entendo seus motivos para manter as informações confidenciais e já estive na mesma situação. Por razões de segurança, remova o seu número de telefone (este é um fórum público). Eu não gostaria de ver você recebendo muito spam como eu! Que tal eu te enviar uma mensagem privada. Obrigado, Keith Hello Samuel, I understand your reasons for keeping the information confidential and I have been in the same situation. For safety reasons please remove your phone number (this is a public forum). I would not want to see you receive a lot of spam like I do! How about I send you a private message. Thank you, Keith
  2. Hi Samuel, thank you for sharing with us. It seems you have been working with spirit for a long time. In this post you indicated: "I'm looking for partners to improve my devices." However, you do not provide any details on your devices at all. May I ask how you hope to have partners help improve your devices without any information? Or are you referring to partners in spirit? Thanks! Keith
  3. Hi Lora, I believe I answered this with you since you made this post. The live stream uses 2 computers. Whenever there is a power outage, or a loss of wifi (reboot modem, router, etc) the stream reconnects but the audio doesn't. I leave it this way because: a. the computer will stay running longer without a reboot b. it's more stable dividing the work among 2 computers Anyone can feel free to contact me on any of the social media platforms, or by email keith at idigitalmedium dot com. Since 2008 it has taken many hundreds of hours of work keeping this stream alive. If we had monetary resources that were sufficient I'd be happy to have the audio and video running from the same computer Thanks, Keith
  4. Hi Caterina, yes - it is not unusual to hear words that sound similar to your own voice - especially if you are conducting traditional evp where you record in open air. Spirit is sometimes able to use recent or future energy from your own voice, store it, and try to speak using it. Or...it could be someone in your family, which would also explain a similar voice if it's a mother, grandmother, aunt, etc. Keith
  5. False statement. Karyn had the IT role of site administrator - except that she didn't do any site admin - which presented itself as a risk once it was clear she was abusing her authority. Her site user role was changed to moderator. Currently, she is now banned.
  6. Here's the original information on this stream: https://idigitalmedium.com/spiritron-c/
  7. Hi Mike, regarding the MIDI experiment - usually the people who have the knowledge of certain technologies apply that knowledge to ITC experiments. This means in most cases there simply aren't enough technical people to fulfill every request - particularly as everyone has their own competing schedules and goals. I would suggest maybe sketching out how you see this experiment going, and then see if others have input Keith
  8. Hi Andres, that's pretty cool. I've often wondered the same...where is the energy being drawn from.
  9. Hi @Michael Brandel, the video links are broken. Would you happen to have new links? Thanks! Keith
  10. Andres I think you're onto something. I don't think it was a one-off. Strongly encourage you to keep going. Good stuff!!
  11. Hi operator! Glad to have you with us! Here's my responses. 1. Do you find that when you ask a question you often get multiple responses (from both m and f sounding voices)? How many? Depends on method. It can be one, but unusual. Mostly a bunch of people talking about many things, with some responding. 2. Do you find that responses come in multiple iterations before they are inteligible? -as if they are attempting to locate or formulate the words from phonemes, or etc. How many does it take for words to be clear? Spirit has shown they can adjust to evpmaker randomness with the bottom box only checked. Did you know there's a live mode? In most cases we find that they seem to be aware of time segments, when theyre going to appear, and the attempt to amplify some sounds and diminish others. In my experiments I only use non-intelligent voice sources where the voice source mimics basic functionality of a human voice. 3. Have you been able to seemingly 'teach' voices to say specific words? I have not, but have received words as response when working with traditional evp methods. 4. Do some locations seem more active than others? Not for me, my experience is the same anywhere in the world but I have yet to visit famous haunted places. I believe it's a combo of their energy, our energy, and environmental influences/method. 5. Do specific times seem more active than others? Whenever I'm attuned, or happy, and often late at night due to the state of my nervous system. I'm going to say singing is more powerful than time, but astrological placements of heavenly bodies may very well affect the outcome. 6. Do responses often seem precognitive? Very. But its a hard line to draw. Are they telling us what is going to happen, or what they are planning and want to happen? I'm going to say....both. though precognition seems to break rules, I've had many mediums readings where those future potentials are shared with me. And they match what I hear spirit say. 7. Do responses often repeat elements of the question? Not for me. Energy is too short to repeat the question at this point. They have to use what they've got and what we give them. 8. Other patterns? Many, too many to list. Our minds act as a bridge as well as a converter and it's a complex mix of our energy, their energy, and the experiment method. Keith
  12. there are 2 applications.... one is voice, the other is images. The area we're discussing could apply to both areas in separate ways.
  13. Thanks guys. Jeff I think your explanation was pretty good. It's slightly over my head this part was really good and resonated with me: so I am thinking that you want to try and synthesize the action of spirit in this request? If so, it is possible you might make it easier for spirit to add their (then smaller) modulation tweaks (the good news), or inhibit their action by screwing up formants that they would want to modulate to their specified degree of level (the bad news). This is a 2 edged sword I think, in going down this path. yes, that is definitely what I'm trying to do and it is a double-edged sword. Introduce noise = helps voices. More noise = voices harder to hear. I'm still hung up on conforming the energy by using feedback. Meaning, to shape the energy to where spirit can influence it...yet is not overblown with additional unnecessary harmonics. One tone is not enough, too many tones is too much noise. I'm not up to speed on exactly what you guys are describing. Can you simplify it for me? "Random" and "patchy" do sound basically like what I'm describing. I guess its similar to a carrier wave in principle? The feedback inherently provides harmonics; however there is difficulty in separating the original tones themselves from the output. What about some kind of software solution....would that be subtractive synthesis? If I could subtract the original signal from the influenced signal that would definitely be very interesting.
  14. https://archive.org/details/spiritintercour01mckegoog/page/n7/mode/2up https://archive.org/details/frommattertospi04morggoog http://www.unariunwisdom.com/wp-content/uploads/2018/04/Testimony-of-Light-by-Helen-Greaves.pdf http://iapsop.com/ssoc/1931__anonymous___exposure_of_h_dennis_bradley.pdf https://www.insightsfromspirit.com/ https://archive.org/details/francisgrierson00simo/page/n5/mode/2up http://www.jhardaker.plus.com/pdf/The Great Reality.pdf https://s3.amazonaws.com/obe-book-defoe/consciousness-beyond-the-body-2016.pdf https://archive.org/details/onthresholdofuns00barr https://www.spiritsatplay.com/RationalSpiritism/SpiritMatters/CaseFiles.html https://www.spiritsatplay.com/RationalSpiritism/SpiritMatters/CaseFiles.html#honors https://dro.deakin.edu.au/eserv/DU:30122237/curtis1896rustlingsin.pdf http://iapsop.com/ssoc/1946__gibbes_cummins___they_survive.pdf https://www.bigelowinstitute.org/contest_winners3.php
  15. Here is a database from iDigitalMedium that also includes a "FREE category. https://idigitalmedium.com/share/books/?filter_22=FREE
  16. Andres, dare we say you invented another hand instrument? It might be monotone but there's potential perhaps a way to modulate without a hand would be to setup a fan blowing towards the tube? How could we randomize something like this?
  17. Hi Tom, welcome! Is software an area that you work in? True, we all have stories which are quite involved. I'm glad you worked through and overcame your fear. Keith
  18. I asked the same question in both platforms. Sorry about that. Here is Andres' reply: Theoretically the bandwidth of an impulse becomes wider if the impulse gets shorter. In my engineering's study we were taught the Dirac impulse. This is an abstract assumption of an impulse with the width zero and an infinite high amplitude. It gives an infinite bandwidth with constant level. So practically you could try to use impulse trains with a lower duty cycle. In a square wave signal you have 50% ON and 50% off. Try to make it 20% ON and 80% OFF or something like that.
  19. Here is the visualization of current voice techniques. Note that it has pretty good modulations that look like incomplete voice patterns
  20. I disagree. I feel that our response to disharmonic tones is a conditioned learned behavior. Though I'm sure it appears as either constructive or destructive on the atomic level. just saying my own individual experience is that when negative is discarded.....it is unable to exist because it isn't being acknowledged, therefore not given any power in our minds. and since our minds create thoughts, and thoughts are physical form.....well, you see where Im going with this
  21. agreed Jeff. I would add that in my work I have found the following to be true: Modulation can also occur through randomization: evpmaker (if suitable sound is input either from audio file or live) Emission Control software (granulizer) And like you said, for optimal conditions the environment should contain both of the following: a medium through which the experiment is passed, ie light, sound, software, biofeedback, radio waves, so on and so forth tones consistent with human speech as our brains are trained to recognize it My work in this area started by trying to imitate Spiricom and eventually ended up being reverse engineering Spiricom to provide a synthetic voice template. I can say the success I've had is more than I expected at first. To give people some context, below is a picture of the infamous Spiricom "Mary Had A Little Lamb" recording. Note, whether an electrolarynx was used or not is irrelevant, the fact is it was understandable as human speech. So it's valuable because it's not just speech, its also enhanced\energized\excited speech via the technique. Note the modulation pictured below: SPIRICOM - Mary had a little lamb original.mp3 The closer I get/more I understand to real-time synthetic voice the more it seems to imitate Spiricom principles - at least as they were outlined. I have used a variety of techniques, some of which I've held close to my chest. They were all successful in their own ways. Here they are in their variety: noisegen (white noise) with live noise reduction noisegen with live noise reduction and Krisp A.I. tone generator through evpmaker tone generator through combfilter and live noise reduction sinewave through Emission Control granulizer followed by live noise reduction white noise through pulsecomb effect in audiomulch tones through pulsecomb effect in audiomulch tone generator through pulsecomb followed by combfilter and many many more, including post-processing and "shaping" of the harmonics to be commensurate with human voice I'll now share results of current work - though it may not seem impressive I'm pretty close to solving it. Which is why I ask for help. Krisp post-processing 4-5-22 Spiricom Sample.mp3 Without Krisp below: 4-5-22 Spiricom Sample without Krisp.mp3 How it appears visually: Granted, the way I explain things tends to be in my own vernacular. When you guys get super technical I grasp the concept but lack the implementation. However I also know due to experience when I'm super "close" Jeff, you're a super smart guy, maybe you can help. Right now I'm using 200Hz sine modulated (mixed with) 1Hz sine. This is then passed through evpmaker for the random factor. From there, one of the following: pulsecomb followed by shaping (and with or without Krisp A.I.) no pulsecomb with live vst combfilter (with or without Krisp A.I.) So now I only have one question: How can I get the bandwidth modulation of each harmonic to sway (more bw per harmonic) in harmony? To look more like the Spiricom photo above rather than the second picture above. I've used the wobble technique...its not optimal for this type of application, or at least it hasnt increased intelligibility for me (more like added vibrato). Thanks!
  22. Hi Andres, regarding this: my experiments with microphone recordings I could observe that spirits are using everything I offer them as sound There's 2 parts to this. one is your energy field, the other is your brain's wiring and your interpretation. I agree with your experience as a whole because its the same for me.
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