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About Me

  1. "Look up always, not down. Realise that the mighty and majestic power which brought you into being and breathed into you the life-giving essence of its own spirit will uphold you and sustain you day by day." 'A Voice in the Wilderness: Further Teachings from Silver Birch'. This week's Friday Afterlife Report is now online at https://victorzammit.com/September23rd2022/
  2. I have recently returned from the Helping Parents Heal Conference in Phoenix, which was the 2nd conference put on by this group that helps grieving parents. I attended to support my sister who had lost a son a few years ago. I had the idea to capture a couple of short recordings on my cell phone of 900 parents chatting in the large meeting room while waiting for the Keynote speaker to begin. I was hoping to record EVPs from the children in spirit who I felt certain were all present. I have been experimenting with EVPs as a form of physical mediumship, and even though I didn't prepare for this as such, I thought I would still record the children. There was a blending of all of the parents' voices, sounding more like a rumble, and some barely noticeable music (Somewhere Over the Rainbow by Iz) playing in the background. When I returned home I listened to one of the recordings. I could hear, "we're here", 7 times in varying quality and a couple of names but most too difficult to discern without a trained ear and using headphones/earbuds. Just that, would be a wonderful gift to post for the parents on the conference FB page, but there is no point unless they can hear it themselves. I needed to try to cancel the noise. Using Audacity noise canceling was not my first choice because, well, the noise is made up of voices and I don't want to cancel the voices. So I played the track in Audacity while recording another track using the Krisp microphone. Upon review of the newly filtered track, I found that everything I had documented had been replaced by new spirit voices of their own agenda. I wondered what would happen if I took the same raw, unfiltered track and again ran it through the Krisp microphone, and I ended up with all new spirit voices, none of which seem to have anything to do with the children, they just took over. This was new information to me, but some of you may already know this. When you run Krisp for after filtering, you run the risk of adding additional voices or completely overwriting your original unfiltered recording. I have a feeling that I could keep running the same original unfiltered file through Krisp and would keep ending up with new voice imprints. You may like this, I do not! Just for the heck of it, I've attached a couple to the original unfiltered (noisy) "we're here" responses. I'm wondering if any of you can hear it. Please use your headphones/earbuds. Thanks! Andrea HPH21 we're here.wav HPH25 we're here.wav
  3. Das hier ist etwas persönlich. Vor etwa eineinhalb Jahren verstarb der Vater meiner Frau in einem Pflegeheim in Rostock an Altersschwäche und diversen damit zusammenhängenden Krankheiten. Wir sind damals hingefahren um Abschied zu nehmen. Ich habe heimlich meinen Digitalrecorder mitgenommen weil ich ahnte das Geister anwesend sein würden. Tatsächlich nahm ich einige Stimmen auf. Eine davon war sehr leise und flüsterte etwas, dass sich wie "Ein Mord" anhörte. Möglicherweise irre ich mich aber auch. Hier ist das Audio. Am Anfang ist das unbearbeitete Original und nach einer Pause das entrauschte Signal. Ein Mord.mp3
  4. I had some very good experiences with microphone voice I would like to discuss with the community. Due to my observations they do occur if there is slight noise in the background. However I also got very good messages when I recorded chatting people and a firework at new years eve. What was striking me is that the spirit voices adopt the characteristics of the sound you give them. I once got clicking voices as I was typing on my computer keyboard and more roaring voices from wind. Since the origin of this phenomenon still is unknown to me I, it could be a direct electrical impact of spirit energy on the microphone or a truly acoustical phenomenon. Has anyone ever tried to record spirit voices with two or three recorders simultaneously and checking if the voices are always the same at the same time? Have you ever took voices from an electrically shielded microphone? Have you ever used a sensitive microphone in a acoustically sealed box to check if voices can manifest inside this box?
  5. You may have heard of EVP researcher Grant Reed. He's kind of a character and has a YouTube channel with episodes which chronologically documents his EVP experiments. More recently, he has been using what he refers to as his Sugar Bowl Method where he uses the sound of water from the tap filling a bowl as the basis of noise for his EVP experiments. I had been wanting to move away from the use of Gibberish as my sound source for a number of reasons, and was thinking about trying his method. I thought it would be interesting to ask the spirit personalities about it. I asked two questions, GR1 "What do you think of Grant Reed's sugar bowl method for creating white noise" and then GR2 "Should I try it?" Because of Max total size restrictions, I'm only able to upload the responses to the 1st question here. They had a number of comments which seemed to relate to the questions. I narrowed down my selections to present here but when considering all of the responses as a whole, it does give the sense that they are answering these two questions. Well, that is if you can hear what I'm hearing. There are several examples of voice layering in these clips, and a pretty good one included at the end of the second question. This session recording was made on 4.23.2022 using Spanish Male Gibberish and from my home. This is my first time presenting and I am far from mastering the technique. I invite suggestions. Andrea 4.23.22. GR1.wav
  6. VIDEO SEVEN: CONTACT! VIDEO SEVEN: CONTACT! In this new video Anabela Cardoso recaps the main steps to experiment with the EVP (Electronic Voice Phenomenon), namely: 1. Select a quiet place where there are no uncontrolled noises. 2. Select a source of noise; if the operator aims at the DRV (Direct Radio Voices) the obvious choice will be radio noise, preferably in the Short Wave(SW) in a point of the tuning scale where there are no normal radio emissions, between two stations. 3. Sit down and become quiet and relaxed. 4. Record for 10 to 15 minutes and ask questions to your invisible communicators leaving an interval of 1 to 2 minutes between each question. 5. Keep a log of your experiments. 6. Thank your communicators and listen to your playblack preferably next day so that your ears are not tired. She again confirmed that there is no specific protocol for the DRV. Every single ITC operator who receives the DRV has started by the EVP experimentation. Anabela reveals that her Rio do Tempo communicators have told her that they “are endeavouring and working to establish contact with everybody in this [our] world interested in the next world”. To realize this project they need many people to try the contact. Dr Cardoso finishes by playing two different anomalous electronic voices, one recommending her to make contact through the microphone and a spontaneous one which occurred during a telephone conversation with two friends.
  7. Hi guys, These are two of just a few voices contacts that come through sometime last week, But I would love to get a second pair of ears on what is being said?? For the first one, I introduced myself as always to Mr Raudive and asks him to speak with me, I would normally say (Can you speak in English, for me to and understand your contact) but for this time I didn't? I am hearing something being said as "I'm talking in English" The raw audio playing as the gibberish was in Mr Raudive native language of Latvian. The second EVP, I ask Mr Dennis Garbor, what transmission station are you working out of Mr Garbor? I hear "I asked the Living" Please let me know what you think is being said on the both EVP's? Many thanks Lance i'm talking in English.wav
  8. I got some good results by using my Xiaomi Note 10 smartphone with an external microphone for recording and post processing. For recording I used the app "Smart Recorder" because you can set the microphone level with it and operation is very simple. For post processing I use NCH Wavepad.
  9. big circle. louder.wav Hi All, I have been back for an hour every morning recording for the E.V.P, I have gone back to my roots of only using white noise for my work (Transform EVP) This is Vocal came through the crystal bridge device, a few weeks back, I was pleasantly surprised to hear from our friend from the AAEVP Debbie Caruso (Deceased) I asked if Debbie is still working with the big circle on the other side, I hear her say "Big Circle". Take a listen, tell me what you hear? Take care, Lance
  10. Hi eveybody! My question is: How to build this (original) TDC device used in The Scole Experiment (Detailed and meticulous instructions including all electronic components - especially the coils -, their parameters, dimensions and distances from each others, code numbers and availability in case they are for sale or parts of some antique crystal radios) ? Copy of the image representing this original model is uploaded below: https://content.invisioncic.com/n303486/monthly_2021_03/GR-Scole.png.2262076167037a796514da32c3fe66e1.png https://robinsphysicalphenomena.webs.com/thetdcdevice.htm Cheers, GISMO5367 ------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Dr Jeffers Hi I dont think there are any specific details of this device existing except the basic wiring diagram and pics that you have linked to. There have been reproductions of this device, and the people concerned would have made guesses as to how to build it in relation to spacing of the crystal to the coils, the inductance of each coil, etc. Pieces of germanium can be bought off ebay, and the coils can be wound or existing coils used. The germanium chip is under pressure via the screw, and this is an important point of its operation, I believe. The coil specifications may not be that critical. So its a case of using intuition to build it, so it has best chance of working for you, and therefore you become entangled with it, and it its operation. JEFF 16 hours ago https://content.invisioncic.com/n303486/monthly_2021_03/JTK.thumb.jpg.e761530d732957b54c2b14e7a16055b5.jpg GISMO5367 This image above has been copied from the Internet, and I am not sure how the original version of the TDC-device they used in the Scole Experiment lookes like? Maybe that image represents just the original version of the device? I don't have first-hand information and I have had difficulties reaching Robin Foy and other people in the Scole group who are involved. If we build a replica of The Germanium Receptor - according to my opinion - everything matters: Placement of the coils, their size, resistance, amplifier, conversion of the signal from analog to digital format (if this is possible) etc. My plan is to build a replica of the TDC device following the "instructions" as carefully and meticulously and I hope to find relevant, accurate and true information for that ( not suppositions). Modern technologies are also under construction, but as far as I know, those technologies help mainly in signal processing and filtering ( not improving the quality of the original signal). Please see: https://transkommunikation.ch/dateien/germanium_receptor_v2/ 10 minutes ago
  11. "Do not mourn because the caterpillar has become a beauteous butterfly. Do not weep because the cage has been opened and the bird has been set free. Rejoice, and know that the enfranchised soul has found liberty and that, if you would but unfold the powers that the Great Spirit has given you, you could share some of the new beauty and joy which is theirs". Silver Birch Anthology p. 97. This week's Friday Afterlife report is now online at https://www.victorzammit.com/March4th2022
  12. Guest Sheri Perl shares highlights from her book “Lost and Found" showing the many ways her son, Danny, demonstrated to her that what she had lost in the flesh could indeed be found in the spirit. Her slideshow includes photos and videos of wonderful signs he sent, amazing orb videos and images of orbs interacting with her, audible EVPs played, a description of experiences with materialisation mediums David Thompson and Gary Mannion, her understanding of how she believes the information gets through, why we dismiss it, and the importance of trust.
  13. Video Six Anabela Cardoso informs on ITC equipment and literature Video Six Anabela Cardoso informs on ITC equipment and literature In this segment Anabela shows her SW radios- two Radios Sony ICF- SW 77 and one Radio Sony ICF-SW7600GR. She emphasizes that this kind of powerful radios are aimed at the DRV work but unnecessary for the EVP work, which only requires a soft noise of whatever kind. Anabela connects her radios to the mains (wall power). They are not battery powered although they could be. She feels without any certainty that direct wall power might be an interesting component in this work. She again reports on the frequencies she uses: 11.178kHz, 22.545kHz, 13.250kHz, 250MHz. She recommends potential ITC operators to read a few basic books on EVP/ITC which are important for the understanding and study of this discipline: Friedrich Jürgenson’s Voice Transmissions with the Deceased (Carl Michael von Hausswolff, Firework Edition 2004), Dr Konstantin Raudive’s Breakthrough (Colin Smythe 1971), Hildegard Schäfer’s Théorie et Pratique de la Transcommunication (Ed. Robert Laffont, Paris 1992) or Hildegard Schäfer’s Portuguese translation Ponte entre o Aqui e o Além, (Pensamento, 1992). Anabela restates her dislike of the idea that “hunting for voices” is an entertainment of a minor kind and paraphrases Prof Hans Bender’s opinion on the significance of ITC after his tests with F. Jürgenson, that the phenomenon is perhaps the most important event in the history of mankind. Anabela finishes by announcing the publication of a report on an interesting ITC occurrence: https://itcanabelacardoso.wordpress.c... and begs people interested in this fascinating field of research to keep in mind that our rules here on the Earth are not the same as the next world rules.
  14. VIDEO FIVE. A visit to Anabela Cardoso’s studio In this short segment Anabela shows her recording studio, a small acoustically well insulated room at her house. She reports on the frequencies she uses in her experiments and informs the potential EVP operator that the frequencies are not so important in this type of work. It is the type of noise that seems to be relevant for the Direct Radio Voices while for EVP experiments noise should be much softer.
  15. VIDEO FOUR: The role of noise (II) In this presentation Anabela Cardoso continues her exposé about the role of noise in the EVP work. She emphasises the importance of not allowing normal radio emissions to taint the recording by using them as acoustic background support. The use of human voice as noise source, although conducive to positive results because the electronic voices use the “raw material” existent in the environment, is not advisable. The results cannot be shown to a serious audience and they may also provoke acoustic delusions in the EVP operator since it is very easy to mistake a normal sentence extant in the background acoustic support for an anomalous sentence. To avoid the danger of pareidolia, or acoustic delusion, she recommends pre-recording the radios emissions or the streaming that the ITC operator wishes to use in his or her EVP experiments and when the operator thinks that there is an anomalous inclusion, he or she can always check the pre-recorded noise source. She mentions the broad-band radio that she used in her experiments. The text by Carlos Fernández (https://lasvocesdelmasalla.blogspot.com/) on how to modify a radio to receive broad band is published in the ITC Journal and free of cost in the website: www.itcjournal.org The use of a log to write down all the noises produced during the EVP experiment is highly useful. Anabela finishes by announcing the remarkable EVPs obtained by the French operator Marc Montlahuc from the deceased Father François Brune who passed away last January. See: https://www.facebook.com/100013113061...
  16. VIDEO FOUR: The role of noise (II) In this presentation Anabela Cardoso continues her exposé about the role of noise in the EVP work. She emphasises the importance of not allowing normal radio emissions to taint the recording by using them as acoustic background support. The use of human voice as noise source, although conducive to positive results because the electronic voices use the “raw material” existent in the environment, is not advisable. The results cannot be shown to a serious audience and they may also provoke acoustic delusions in the EVP operator since it is very easy to mistake a normal sentence extant in the background acoustic support for an anomalous sentence. To avoid the danger of pareidolia, or acoustic delusion, she recommends pre-recording the radios emissions or the streaming that the ITC operator wishes to use in his or her EVP experiments and when the operator thinks that there is an anomalous inclusion, he or she can always check the pre-recorded noise source. She mentions the broad-band radio that she used in her experiments. The text by Carlos Fernández (https://lasvocesdelmasalla.blogspot.com/) on how to modify a radio to receive broad band is published in the ITC Journal and free of cost in the website: www.itcjournal.org The use of a log to write down all the noises produced during the EVP experiment is highly useful. Anabela finishes by announcing the remarkable EVPs obtained by the French operator Marc Montlahuc from the deceased Father François Brune who passed away last January. See: https://www.facebook.com/100013113061...
  17. VIDEO TWO François Brune, a life at the service of God In this second video Anabela Cardoso pays homage and says good-bye to Father Dr François Brune, the French theologian, writer and psychical researcher who much contributed to the spreading of the ‘good news of grace’ has he used to call ITC and EVP, the electronic communication with the dead. She describes her first encounter and her contacts with this man of God who on the 16th of January lived ‘the happiest day of his life, the day of his death’ as he used to say. François Brune wrote more than thirty books, most of them translated into different languages but none in English because the English publishers did not bother to translate any of his wonderful books, which range from mysticism to the lives of the saints, to Jesus Christ’s teachings, to ITC. This is certainly a pity for readers in the English-speaking world and a great failure in getting valuable information on the so-called paranormal events, which Father Brune personally witnessed throughout the world. Some of his books include: Les morts nous parlent Tome I ; Les morts nous parlent Tome II ; Christ Et Karma: La Reconciliation?; Les miracles et autres prodiges ; Mes entretiens avec les morts ; Le nouveau mystère du Vatican (Le Chronovisor) ; La Vierge de l’Egypte ; La Vierge du Mexique ou le miracle le plus spectaculaire de Marie ; Les miracles et autres prodiges; Les Morts Nous Aiment; A l’Écoute de l’Au-delà (with Prof. Rémy Chauvin). But undoubtedly his most famous book is Les Morts Nous Parlent, a best-seller translated into many languages, including Russian, about ITC. Several of his articles and interviews are published in English in the ITC Journal (www.itcjournal.org). Father Brune also came to an International Conference on the Survival of Death organized by the ITC Journal years ago (See Proceedings of the Second International Conference on Survival of Physical Death with Special Reference to Instrumental Transcommunication (ITC) (www.itcjournal.org). His life focused on Jesus Christ’s teachings and ethics and he was a severe critic of the present day Catholic Church. Exactly because of his love for, and respect of, original Christianity principles, at the last times of his life he renounced the Catholic faith and adopted the Orthodox one. He was buried in Paris in a beautiful ceremony at the Orthodox Cathedral of the Holy Trinity, which can be watched at: https://www.facebook.com/jeanmichel.g... by initiative of his friend Jean-Michel Grandsire, the director of the magazine ParaSciences (http://jmgeditions.fr/index.php). On this beautiful and sad occasion I, Anabela, tell François Brune what he used to tell me at the end of our meetings when we said good-bye, ‘À toujours chère Anabela!’ It is my turn to tell him with gratitude and love: “À toujours cher François!”. We love you.
  18. Number One of a series on EVP practice by Anabela Cardoso In this first video Anabela Cardoso describes the basic requirements to start a personal experimentation to attempt the contact through electronic means with the next world where our deceased loved ones tell us they go on living. The basic method is commonly called EVP (Electronic Voice Phenomena).
  19. Dr. R.Craig Hogan shared experiences of ordinary people having experiences of direct contact with their loved ones in the afterlife using various methods including Repair and Reattachment Grief Therapy, Induced After Death Connection, EVP and ITC, physical mediumship and after-death contacts. His claim is that personal experience is the best proof of the afterlife and everyone is able to have such experiences if they put in the time and energy.
  20. Hi all, my name is Paul and I live on the South Coast of England, near Portsmouth. I'm originally from West London and have been living in the south for 16 years. I work for the South Central Ambulance Service as a ambulance man. I have a keen interest in the paranormal, especially ghost, spirits and Evp's. My I terest in evp's began about 12 years ago. We had just took on aittle Jack Russell dog, and my neighbour began to complain about the dog barking. With this I decided to by a small digital recorder and leave it recording during the day when myself and my wife where out to work. On reviewing the days recording it became apparent that apart from the occasional dog barking, there where also unexplainable voices mixed into the background. Some voices where male some female and some children. Some voices asked if we could here them some asked for help and some just appeared to be having day to day conversations. The voices fascinated me so I decided to continue recording with my recorder in different locations, with mixed results. Since then I have used special sound software to clean up recordings. All in all I have continued with my new research nobby and have never looked back since. I do believe that the entities I have recorded over the years exist within a alternate dimension to ours. And I have also found that the longer I had veen listening to evp, the more sensitive my hearing has become to them. I was finding that I could hear oices recorded that no one else with a untrained ear could not hear.
  21. Glimpses of Another World, Impressions and Reflections of an EVP Operator is Anabela Cardoso’s third work. Following on from Electronic Voices: Contact with Another Dimension? and Electronic Contact with the Dead: What do the Voices Tell Us? in this book the author shares her thoughts and ruminations on Instrumental Transcommunication (ITC), the phenomena whereby allegedly deceased communicators relay messages and images to the living via radio equipment, televisions, computers, phones and other electronic devices. It’s a subject Anabela has devoted her life to in recent decades. The communication is both fascinating and mysterious and the wisdom meted out by higher dimension human and nonhuman intelligences is profound. Glimpses of Another World is a memoir and a how-to-do ITC manual rolled into one and essential reading for those pondering the possibility of an afterlife. About the author A former member of the SPR, Dr. Cardoso’s long-standing interest in questions related to life and death led her to start experimenting with ITC (Instrumental Transcommunication) in 1998. The quantity and quality of her results, obtained under controlled conditions both through the EVP (Electronic Voice Phenomena) and the DRV (Direct Radio Voices) methods, have convinced her, in spite of the sensitivity of her professional position, to place them in the public domain. In 2000 Dr. Cardoso founded the ITC Journal, of which she remains Editor-in-Chief. The ITC Journal is published in English, and has an Editorial Board of internationally recognised scientists and researchers of the paranormal. Dr. Cardoso is a regular contributor to the Journal and to other international psychical research publications and has given invited presentations on ITC and her work in the USA, Brazil and many European countries. Samples of Dr. Cardoso’s ITC results can be found at http://www.itcjournal.org. You can find videos of Anabela on Youtube.
  22. Hi all, This recording taken inside Chichester Cathedral in West Sussex. If you listen carefully you'll hear myself and my wife talking. Afterwards if you listen again carefully you'll hear what sounds like a child humming "The EVP" I have increased the volume of the EVP to help make it more clear. On this occasion I was using my small tascam recorder tucked in my coat pocket. chichester child-region-587.mp3
  23. Friday night I left my basic Sony recorder hidden in a church very local to me here. On reviewing the recording I have discovered some anomalies, some OK and some not so OK. However there was no one present in the church at the time and the recordings where taken between 1 a/m & 4 a/m. It would be rewarding to have some feedback regarding these uploads, what do you think the voices are saying and what do you think the banging sounds are. I don't really seem to receive as much feedback from members, why I don't know so please let's have some more feedback. Strange flapping .mp3 Movement 2.mp3 Wind.mp3 Movementpossdoor.mp3 Voices2.mp3 voices.mp3 Voices 3.mp3
  24. Carry On Talking: How Dead Are the Voices? by Peter Bander BACK IN PRINT! Peter Bander Amazon RRP £12.99 UK Paperback Amazon RRP $17.99 US Paperback Also available as an eBook BACK IN PRINT! NOTE: Originally published in the US as “Voices from the Tapes.” Carry on Talking: How Dead Are the Voices? is the story of the advent of Electronic Voice Phenomena (EVP) – a method of communication between the “dead” and the living using electronic devices – pioneered in Europe by Friedrich Jürgenson in the 1960s, and later by Konstantin Raudive. Peter Bander, a psychologist who had lectured on religious education and ethics, had joined British publisher Colin Smythe Ltd in 1966, and in 1969 was asked by Smythe to evaluate Dr. Konstantin Raudive’s research with a view to publishing the work in the English language. Raudive’s book had been published in Germany in 1968 under the title: Unhörbares wird hörbar (The Inaudible Becomes Audible). Bander was understandably sceptical when first confronted with the phenomena. He stated: ‘My first reaction to the book was negative because the claims made by the author appeared to me not only far-fetched but outrageous … The thought of dead people communicating through a tape recorder seemed ludicrous and too silly to be taken seriously’. Unbeknown to Bander, Smythe had conducted his own experiments which proved to be conclusive. This led to Raudive’s book being published in the English language under the title, Breakthrough: An Amazing Experiment in Electronic Communication with the Dead (1971) – now considered by many to be a classic in the genre – and put Bander at the centre of the controversial yet fascinating subject of life after death. CONTENTS Introduction A Question of Belief Full of Surprises Pride and Prejudice Trial and Error Publish and be Damned The First Confrontation The Spiritualists and the Voices The Church and the Voices Late Late Breakthrough A Voice in the Wilderness The Scientists and the Voices The Enthusiastic Amateurs Carry on Talking Index Praise for Carry on Talking The Church and the Voices “It is all very mysterious, but we know that the voices are there for everyone to hear.” ~ His Excellency Archbishop Cardinale, Apostolic Nuncio “I’m definitely impressed, and willing to be impressed by this phenomenon.” ~ The Rt. Rev. Dr. Butler, Anglican Bishop of Connor “The message these voices hold for me is confirmation that there is life after death.” ~ The Very Rev. Fr. Pistone, S.S.P. “It is a reality backed by experience and established by evidence open to all, that the dead live and can communicate with us.” ~ The Rt. Rev. Mgr. Prof. C. Pfleger The Scientists and the Voices “I can no longer explain the voice phenomena in normal physical terms. ~ Peter A. Hale, physicist “Extensive experiments have shown that the paranormal origin of the voices is highly probable.” ~ Prof. Hans. Bender, Director, University Institute of Psychology, Freiburg “I’m convinced that these are the voices of the dead.” ~ Robert Crookall, B. Sc (psychology), Ph.D., D.Sc “I have succeeded in reproducing the phenomenon. Voices which did not come from any known source have appeared on a tape.” ~ Dr. Brendan McGann, Director Institute of Psychology, Dublin About the author Peter Bander (van Duren) July 30, 1930 - April 21, 2004 was a German psychologist and lecturer in religious and moral education. He joined publishing house Colin Smythe, Ltd in the UK in 1966 as joint managing director. Bander and Smythe brought Electronic Voice Phenomena (EVP) and Instrumental TransCommunication (ITC) to the English-speaking world with the publication of Breakthrough: An Amazing Experiment in Electronic Communication with the Dead (1971) by Dr. Konstantin Raudive, a Latvian psychologist who experimented with EVP with Dr Hans Bender in the 1960s. Carry on Talking was published in the USA by Drake Publishers, under the title Voices from the Tapes. His other publications are One for the Road (1966), Two for the Road (1967), The Prophecies of St Malachy (1968), (editor) Looking Forward to the Seventies: A Blueprint for Education in the Next Decade (1968), and under the name Peter Bander van Duren, The Cross on the Sword (1987), and Orders of Knighthood and of Merit (1995). He was editor & revisor of H.E. Cardinale’s Orders of Knighthood, Awards and the Holy See (2nd & 3rd eds. 1984, 1985). Publisher: White Crow Books Published June 2021 176 pages Size: 5.25 x 8 inches ISBN 978-1-78677-159-9
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