Dr Jeffers

Video Eight: Sound Editing of samples of the Direct Radio Voices (DRV) In this Video Eight Anabela Cardoso exemplifies sound editing work on a couple of utterances recorded by Guillermo Campos. One of them says very clearly “É do Tempo” (It is from Tempo [Rio do Tempo]). As reported in Anabela Cardoso’s Blog, Guillermo started receiving Direct Radio Voices after coming to Anabela’s house to get information and learn about ITC work. He uses the same frequencies that Anabela works with, and the voices he receives, which identify themselves as coming from Rio do Tempo station, usually come through the radio tuned to 11.178 KHz, which is the frequency that Rio do Tempo’s voices come through at Anabela’s studio.

The TDC Device – Synopsis of Email Correspondences The following is a synopsis from 40 pages of emails, exchanged between the correspondents named below, from January to June of 2019. These correspondences were initiated by Keith Clark. This synopsis condenses the essential communications and conclusions. Direct quotes are in italics. Partially paraphrased content is in normal text. This synopsis was created by Dr Jeffers and Steve Glanz. Correspondents: Keith Clark: Varanormal and ITCBridge Ronald Bryan: Scholar Jules and Maggy Harsch-Fischbach: EVP Experimenters William Treurniet: Expert on Project St. Peter (MetaScience Foundation) Thalis da Costa Junior: Expert on TDC Device Robin Foy: Participant in the Scole Group R.K.: Friend of Keith who replicated the TDC Device Begins: Keith Clark to William Treurniet: Was anyone in the Scole experiments aware of the proceedings of Project St. Peter conducted by MetaScience foundation in 1982? (I found direct correlations to Scole and the Edison TDC device. This information is not publicly available - YET). Ronald Bryan to Jules and Maggy Harsch-Fischbach: Recently I have become interested in the possibility that distant healing, remote viewing, chi and other such phenomena are actually mediated by a physical field, not unlike the electromagnetic field, but one which does not weaken over long distances and is not impeded by obstructions like mountains, oceans, or even time translations. This can be possible if the lines of this field propagate in higher-dimensional space-time and do not diverge as they converge on the target. The field resembles a soliton. Jules and Maggy Harsch-Fischbach to Ronald Bryan: Fields affect other fields. The electromagnetic and the five-dimensional field of force are not the same. The electromagnetic field is subject to space-time weakening or distortions. The life-energetic five-dimensional field is not. Nevertheless, from the laws and actions of the electrical field you can also infer the properties of higher dimensional fields. The electromagnetic field is the informational energy of matter. The five-dimensional field is the energy of life. If there already existed a five-dimensional wave receiver . . . the receiver would give you a jumble of receptions similar to your radio receiver. As you know, the impulses at death are already stored in the five-dimensional fields of some of your objects. You speak of “spook” cases. As a rule, these are only stored in cases of more-or-less violent deaths. This explains the good voices at accidents, murders, etc. Violent death produces modulated waves in the five-dimensional “channel”. When considering the millions of violent deaths by the constant slaughter of animals and humans, the five-dimensional field must literally “flow over” from such shock waves. MESSAGE FOR RONALD BRIAN : THERE IS NOT MUCH MORE TO SAY AT THE MOMENT. BE AWARE HOWEVER THAT AT INSTANT ZERO SPACE IS INSTABLE, BUT TEN DIMENSIONS ARE CORRESPONDING. SO HYPERSPACE OF SIX WILL AT THE END - WHICH IS ALSO THE BEGINNING - SPREAD OUT WHEREAS THE FOUR DIMENSIONAL ONE WILL CONTRACT AND ROLL ITSELF UP. IF MEN SUCCEED TO MASTER HYPERSPACE MANKIND WILL ESCAPE THE IMPLOSION. ISHKUMAR Does this refer to the use of electronic devices and magnetic fields (rather, their inter-dimensional yet-to-be-understood energetic equivalents) to create "zero points" between the fields for the purpose of audible communication? William Treurniet to Keith Clark: In the article "The holographic principle in consciousness" (http://www.treurniet.ca/zetacom/holographic_principle.htm), I equated the Zeta's grid with Haramein's 3D packing of Planck spherical units. It's also Chapter 5 in "More insights from the Zeta interviews", http://www.treurniet.ca/zetacom/zetaprimer.htm. This grid is also mentioned in Mitchel's paper on the The Quantum Hologram And the Nature of Consciousness (Journal of Cosmology, 14, 2011). They proposed the zero point field as the substrate for the holographic representations. They see the field as matter, but I suggested it should be a field of consciousness in my article at http://www.treurniet.ca/psi/assessmentQHTC.htm. “The spontaneous emission of particles from the zero-point field may not be as random as people think. It may be elements of holographic-like representations in a substrate of consciousness that we experience as matter. The emissions might appear random because there are many objects represented in the medium. Another way of looking at spontaneous emissions is described in Sections 7.5-7.6, "Materialization via a Bose-Einstein Condensate" in "A primer of the Zeta race". Your comment, "phenomena are actually mediated by a physical field, not unlike the electromagnetic field, but one which does not weaken over long distances and is not impeded by obstructions like mountains, oceans, or even time translations." reminded me of Wilbert Smith's tensor beam he learned about from "the boys upstairs", http://www.treurniet.ca/Smith/SmithCoil.htm. Paraphrased from Thalis da Costa Junior to Keith Clark: The technical specification for the TDC device that we are given has a value of 5,000 ohms for the coils. But everyone agrees that it is physically impossible to reach 5,000 ohms in a coil of the size as shown in the images of the Scole TDC device. It is possible that 500 turns of wire may have been what was meant instead of resistance? An important point to remember is however you want to build the device, be sure to plan to put the active device "through" or "between", or "in the middle" of the magnetic fields from the coils, capacitors, or whatever you choose. And if you make these items, allow them to be moved around a little bit for experimentation. Don't forget what Raudive built. A Raudive detector circuit uses a germanium diode and a wire coil. It is very close to the TDC Edison device and both use germanium as the detector. Thus, without additional information, I think it is perhaps more consistent to use a germanium diode, type 1N34 in the TDC device. In the case of the TDC device, it does not have an explicit capacitor; however, it has an implicit capacitor due to the "parasitic capacitance" existing between the turns. Thus, it is naturally tuned to some frequency. The electrical characteristics of the TDC are unknown. It is unknown if there may be some interaction between the natural oscillation of the coils, due to the parasitic capacitance, with the germanium crystal. Thalis da Costa Junior to Keith Clark: My doubt is: some time later the Scole Group had to stop their sessions - because they were under the risk of "invasion" from the Humans from future. there is always risk - but we still do what we do. I think the device is meant to come out, and it was not time in 1986 or 1997. I think it is time now. But yes, one must be protected and very strong - willing and ready to explore. Maybe the people from the future - is US? ever think of that? or someone trying to come back and prevent us from creating it? there are many possibilities - intuition is always the best! For me, I know my path and I am certain that the time is right for something like this. I just see that a lot of people created this Edison device, yes? But it looks like they didn't take the time to read properly. Ronald Bryan to William Treurniet: Project St. Peter highlighted the use of toroids and their corresponding energetic fields. Thalis da Costa Junior to Keith Clark: All indications are that it is not about the radio reception.... it is about the magnetic fields and how their interaction /intersection creates a place of no gravity. In that place of zero gravity the pressure waves of the germanium are perhaps easier to be created. Note: The figure refers to ZERO ELECTROMAGNETIC FIELD and not to zero gravitational field, related to the force of gravity. To make a closer interpretation of the coils, a coil of 5000 turns has been wound and it came out as 449 ohms, which is approximate to 500 ohms. A couple of pics are below. The first photo is the ferrite chokes removed from a microwave oven and the second is the rewound finished coil. The coils are correct in size and look, compared to the photos of the TDC device. Thalis da Costa Junior to Keith Clark (quotes interspersed with paraphrases): Please note that it was explicitly stated in the TDC Scole that the method does not match conventional electronic wisdom. This may be true but, in the end, the result is an electrical signal in the voice range because it is recorded on a voice recorder. As to how the device works exactly, we do not yet know. Zero point energy - that's what they're referencing I believe. I dont know if Sonia told you, but the device should be run for long periods of time. All indications are that it is not about the radio reception.... it is about the magnetic fields and how their interaction / intersection creates a place of no gravity. In that place of zero gravity the pressure waves of the germanium are easier to be created (I think). I think the "coils of high resistance" are given without a value because the value does not matter. I believe the high resistance is more important either because the high number of turns will produce a more consistent magnetic field or the high resistance coils could act as a primary coil for us while the spirit communicators could generate a signal that is resonant with our coil but at a much higher frequency. Perhaps they transduce it down to us. To produce a coil with 2cm of radius and 10cm of length, having 5,000 ohms and 5,000 turns is quite impossible. It does not need to be a resonant tuned circuit - perhaps it only needs to be HALF of a tuned circuit. Spirit will provide the other half. This is possibility. If we built a 5,000 Ohm coil, the natural resonant frequency would probably be in the range of 10,000Hz (10kHz) to 1,000,000 (1MHz). Zero point energy - that's what they're referencing I believe. It is possible that the TDC is tuned. That is different to me from what we are trying to do, yes? Similar, but not the same. http://www.straytechnologies.com/documents/RDiodeKitInstructions.pdf I think the simplest way to make a receiver for transcommunication is to use a diode. In the circuit that passed me, germanium TDC receiver, there are, for me, two insoluble problems (with the information we have available): 1- The 5,000 Ohm coil and, 2- The Germanium plate, which we do not know what it is. Thus, without additional information, I think it is more consistent to use a germanium diode, type 1N34. Robin Foy to Keith Clark: 'Morse-style' message pulses were received at Scole. The device is about the size of a matchbox. Paraphrased from Keith Clark: The device below is built by R.K. This is a proper replica of the original TDC Edison device, with modern additions that will allow us to make more precise movements of the coils as well as take measurements once success has been achieved. Further Reading: https://www.thescoleexperiment.com/trans-dimensional-communication-experiments.html https://robinsphysicalphenomena.webs.com/thetdcdevice.htm https://www.varanormal.com/forums/topic/471-the-germanium-receptor/

Oh how true this is... thank you for these snippets of ageless wisdom, Karyn.

I did recording runs using the different methods weve discussed. I got responses from all methods, but the best was splitting the original source file and playing that in Audacious. This may be due to the more abrupt nature of produced segments using this method, compared to the softer nature of the grains. Probably not conclusive. Will be interesting to hear results from others. Stop_shouting_of _emaralds_there.mp3 This_gate_add_to_us_if_he_and_others_approve.mp3 We_need_magnets_and hoses_here.mp3

Hi Lance, Here is tis.... [ I did not delete the spaces between the grains of the recorded Argotlunatic file, as there would be no spaces to detect using this process ] JEFF

Lance, I tried your idea of splitting up the Argotlunatic file, and then playing the segments randomly in Audacious. This worked very well. I used "Split At Silences" in WavePad, and set the parameters to suit the source file noise floor, etc. This method preserved the pleasant shaped envelopes of the Argotlunatic grains, and gave a good randomization (1 in 364 for a 2min source file length). Playback in Audacious did not need the crossfade effect applied, as there was no clicking. I think this is as good as it gets for using this plugin.

Yes, good samples you guys have obtained. Well Andres, Argotlunate does have a major limitation in that it only randomizes within a rolling 5 second window that follows the play-head, so eventually the whole file does produce a scrambled audio sequence, but in a progressive manner as the file plays through in real time. So for a 235mS sample taken from a 5 rolling second window, its a limited random choice of 1 in 21 grains. EVPMaker produces its scramble from using the whole file span, so choice of 1 in 2,000 or so, depending on file length - so much greater randomisation. But in saying this ..... I like Lance's idea of using an Argotlunate scrambled sequence, splitting it into segments, and then using Audacious to play the segments. Im glad you guys have picked this up and are experimenting. JEFF

Just had an idea that Ive just tried, and that was to Argotlunate the EVPMaker file I had already recorded. I think this is good, and did solve the occasional repeat problem of course, and the shaping of grains helps the EVPMaker file to be more pleasant and natural, but I think the secret here is to EVPMake the original source file at a greater size - say 350mS or larger, so Argotlunating the file at 235mS creates more consistently sounding grains. An another thing I tried with Lance's method was to try and reduce the clicking due to the conjoined playing of sharply split files. Got some benefit by enabling cross fade in Audacious. See pic. JEFF

Yes, me too, the x64 version did not work for me either. Just to clarify: the path to the VST plugins is set in tools/options/VSTs. Add a path to your Argotlunar files there. Restart. Load a sound file, goto Effects/VST Plugins, select Argotlunar from drop down menu. I get an initial corruption appearing that shows a "NO VST Selected" message in the middle of the Argotlunar console, but this is removed by maximising the console window, then restoring the window to normal size. Good luck! JEFF

I was inspired to look further at voice scrambling techniques after trying Lance's method, and seeing how effective it was. I investigated Granular Synthesis, and found a (free) VST plugin whose functionality could scramble speech - called Argotlunar. Argotlunar is a real-time delay-line granulator VST plugin, that I installed into Wavepad. It breaks up an incoming audio stream into short samples (Grains). Each grain can have random settings of amplitude, panning, duration, delay, pitch, glissando, filter and envelope applied to it. The output of all grains is mixed, and sent to the main output. The main output can be fed back into the main input. For voice scrambling, only basic settings are needed: "Grains": to 1. "Delay" (maximum random period span range): 0 to 5,000mS. "Dur" (duration of each grain): set to fixed value (no span) of 235mS - or whatever suits. Envelope shape set to "RCB" (raised cosine bell). "Sustain" (rise/fall shaping of RCB curve) 50% rotation (sounds good). Other settings as per screenshot. Presets above can be saved and recalled. It produces a pleasant sounding scramble, and I have enclosed an output sample file, as well as comparison files from EVPMaker (235mS with Z-cross ticked) and Lance's method (1,244 files of 235mS, played randomly in Audacious). I did not remove the silences in between words in the source file. A major limitation of Argotlunar for scrambling is the 5 sec delay span within which grains are selected, shaped and played. This delay window follows the play-head in real time, so as new grains enter the span, old grains are discarded. This means at any one time (for 235mS) there is a rolling total of 21 grains available for selection. In listening to the output file, there some repetitions heard. Ive only played with this concept with a free plugin, and I know more advanced (paid-for) products are available with better randomization. I put it out here so perhaps others might want to take it further. Download is here... https://mourednik.github.io/argotlunar/ JEFF Argotlunar 235mS.mp3 EvpMaker 235mS.mp3 Lances Method 235mS.mp3

Bonjour Kat ' Le meilleur endroit pour partager vos clips evp est le forum ci-dessous; https://www.varanormal.com/forums/forum/97-audio-electronic-voice-phenomena-evp/ Cordialement, JEFF

Hi Wagner, this is very interesting. I presume the audio input to the LED is a radio that is sweeping? Is this correct?

Hi Theo. Welcome to Varanormal. I hope you enjoy our experience here. JEFF

Hi Joshua, Welcome to Varanormal. I hope you enjoy your time with us all. JEFF

This is a good draft outline for a project scope Keith, and can be put to good use. Getting the experiment club started at least on a rudimentary footing with simple tasks that are actively taken up, would be a great first milestone. JEFF

Hola Fernando, I have some questions about the process: 1) Is there an end date when we should have completed this task? We can start now, but how long have we got to complete the mission (not impossible)? 2) If we capture a number of smaller artifacts on one screen capture, do we highlight them / circle them so they can be easily identified by the reviewer? [ I will be starting now ] Los mejores deseos, JEFF

Bonjour Li' Oui, le processus de réduction du bruit est très précieux pour rendre les voix les plus faibles plus claires. Je suis heureux que vous réussissiez à utiliser cette fonctionnalité. Avant l'ère du logiciel, il n'était pas possible d'obtenir de tels résultats en utilisant un équipement analogique. Nous sommes tellement bénis. Meilleurs vœux, JEFF

Hi Krisztina, Welcome to Varanormal. Im sorry to hear of the death of your husband from heart attack. I hope you enjoy your experience with Varanormal. The images you have received are quite remarkable, and must be a comfort to you.

Bonjour Li ' Bienvenue à Varanormal. J'espère que vous apprécierez votre expérience ici. Meilleurs vœux, JEFF

Good to have you on board Leo. Welcome ! JEFF

Hi Vladimir, these are great images. Do you need to use a high spec / high speed camera, or will a standard digital camera work? JEFF

Good find, Fernando. The section on Quantum Photography is interesting. JEFF

Thank you Karyn for posting this interesting article. I found some information on the Communigraph that was mentioned... https://www.spiritualismlink.com/t221-communicating-without-mediums-the-communigraph JEFF

Thank you Karyn for posting this very interesting article on Varley - and the link to more information!